| Multimodal analysis of expressive gesture in music and dance performances A Camurri, B Mazzarino, M Ricchetti, R Timmers, G Volpe International gesture workshop, 20-39, 2003 | 260 | 2003 |
| Expression and communication of emotion in music performance PN Juslin, R Timmers Handbook of music and emotion: Theory, research, applications, 453-489, 2010 | 218 | 2010 |
| Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context Z Eitan, R Timmers Cognition 114 (3), 405-422, 2010 | 214 | 2010 |
| Ensemble performance: Interpersonal alignment of musical expression. P Keller Oxford University Press, 2014 | 108 | 2014 |
| Expressiveness in music performance: Empirical approaches across styles and cultures D Fabian, R Timmers, E Schubert Oxford University Press, USA, 2014 | 63 | 2014 |
| Vibrato: Questions and answers from musicians and science R Timmers, P Desain Proc. Int. Conf. on Music Perception and Cognition 2, 2000 | 63 | 2000 |
| Listeners' emotional engagement with performances of a Scriabin étude: An explorative case study R Timmers, M Marolt, A Camurri, G Volpe Psychology of Music 34 (4), 481-510, 2006 | 47 | 2006 |
| The influence of musical context on tempo rubato R Timmers, R Ashley, P Desain, H Heijink Journal of New Music Research 29 (2), 131-158, 2000 | 42 | 2000 |
| Vocal expression in recorded performances of Schubert songs R Timmers Musicae Scientiae 11 (2), 237-268, 2007 | 38 | 2007 |
| Emotional ornamentation in performances of a Handel sonata R Timmers, R Ashley Music Perception 25 (2), 117-134, 2007 | 35 | 2007 |
| Timing of ornaments in the theme from Beethoven's Paisiello Variations: Empirical data and a model R Timmers, R Ashley, P Desain, H Honing, WL Windsor Music Perception 20 (1), 3-33, 2002 | 35 | 2002 |
| On music performance, theories, measurement and diversity R Timmers, H Honing Cognitive Processing (International Quarterly of Cognitive Sciences) 1 (2), 1-19, 2002 | 32 | 2002 |
| Synchronization and leadership in string quartet performance: a case study of auditory and visual cues R Timmers, S Endo, A Bradbury, AM Wing Frontiers in Psychology 5, 645, 2014 | 31 | 2014 |
| Real-time visual feedback for learning to perform short rhythms with expressive variations in timing and loudness M Sadakata, D Hoppe, A Brandmeyer, R Timmers, P Desain Journal of New Music Research 37 (3), 207-220, 2008 | 30 | 2008 |
| Rhythmic aspects of vibrato P Desain, H Honing, R Aarts, R Timmers P. Desain and L. Windsor, Rhythm–Perception and Production, 203-216, 1999 | 30 | 1999 |
| The timing of grace notes in skilled musical performance at different tempi: A preliminary case study L Windsor, R Aarts, P Desain, H Heijink, R Timmers Psychology of Music 29 (2), 149-169, 2001 | 26 | 2001 |
| When the sound becomes the goal. 4E cognition and teleomusicality in early infancy A Schiavio, D van der Schyff, S Kruse-Weber, R Timmers Frontiers in Psychology 8, 1585, 2017 | 23 | 2017 |
| Perception of music performance on historical and modern commercial recordings R Timmers The Journal of the Acoustical Society of America 122 (5), 2872-2880, 2007 | 23 | 2007 |
| Predicting the similarity between expressive performances of music from measurements of tempo and dynamics R Timmers The Journal of the Acoustical Society of America 117 (1), 391-399, 2005 | 22 | 2005 |
| Freedom and constraints in timing and ornamentation: investigations of music performance R Timmers Maastricht: Shaker Publishing, 2002 | 20 | 2002 |
Peter DesainProfessor of artificial intelligence, Radboud University NijmegenVerified email at donders.ru.nl
