Michael Schutz
Michael Schutz
Associate Professor of Music Cognition/Percussion, Director of the MAPLE Lab; McMaster University
Verified email at mcmaster.ca - Homepage
Title
Cited by
Cited by
Year
Hearing gestures, seeing music: Vision influences perceived tone duration
M Schutz, S Lipscomb
Perception 36 (6), 888-897, 2007
2142007
“Moving to the beat” improves timing perception
F Manning, M Schutz
Psychonomic bulletin & review 20 (6), 1133-1139, 2013
982013
Seeing music? What musicians need to know about vision
M Schutz
Empirical Musicology Review, 2008
842008
Causality and cross-modal integration.
M Schutz, M Kubovy
Journal of Experimental Psychology: Human Perception and Performance 35 (6 …, 2009
712009
Audio-visual objects
M Kubovy, M Schutz
Review of Philosophy and Psychology 1 (1), 41-61, 2010
632010
The happy xylophone: acoustics affordances restrict an emotional palate
M Schutz, D Huron, K Keeton, G Loewer
Empirical Musicology Review, 2008
432008
Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists
FC Manning, M Schutz
Psychological Research 80 (4), 532-542, 2016
342016
Visual determinants of a cross-modal illusion
JA Armontrout, M Schiutz, M Kubovy
Attention, Perception, & Psychophysics 71 (7), 1618-1627, 2009
242009
Surveying the Temporal Structure of Sounds Used in Music Perception
M Schutz, JM Vaisberg
Music Perception: An Interdisciplinary Journal 31 (3), 288-296, 2012
232012
The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues
L Chuen, M Schutz
Attention, Perception, & Psychophysics 78 (5), 1512-1528, 2016
202016
Exploring the role of the amplitude envelope in duration estimation
GT Vallet, DI Shore, M Schutz
Perception 43 (7), 616-630, 2014
192014
Looking beyond the score: The musical role of percussionists’ ancillary gestures
M Schutz, F Manning
Music Theory Online 18 (1), 2012
192012
Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech
M Poon, M Schutz
Frontiers in Psychology 6, 1419, 2015
182015
Deconstructing a musical delusion: Point-light representations capture salient properties of impact motions
M Schutz, M Kubovy
Canadian Acoustics 37 (1), 23-26, 2009
162009
Temporal prediction abilities are mediated by motor effector and rhythmic expertise
FC Manning, J Harris, M Schutz
Experimental brain research 235 (3), 861-871, 2017
142017
Crossmodal integration: The search for unity
MR Schutz
ProQuest, 2009
142009
The Mind of the Listener: Acoustics, Perception and the Musical Experience
M Schutz
Percussive Notes 47 (5), 22-28, 2009
122009
Influence of visual information on auditory perception of marimba stroke types
M Schutz, S Lipscomb
Proceedings of the eighth international conference on music perception and …, 2004
122004
Name that percussive tune: Associative memory and amplitude envelope
M Schutz, JK Stefanucci, HB Sarah, A Roth
Quarterly Journal of Experimental Psychology 70 (7), 1323-1343, 2017
112017
The importance of amplitude envelope: Surveying the temporal structure of sounds in perceptual research
J Gillard, M Schutz
Proceedings of the Sound and Music Computing Conference, 62-68, 2013
82013
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