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Simon Waters
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Cited by
Cited by
Year
Performance Ecosystems: Ecological approaches to musical interaction
S Waters
EMS: Electroacoustic Music Studies Network, 1-20, 2007
1332007
Beyond the acousmatic: hybrid tendencies in electroacoustic music
S Waters
Music, electronic media and culture, 66-94, 2016
63*2016
NUNTIUS: A computer system for the interactive composition and analysis of music and dance
T Ungvary, S Waters, P Rajka
Leonardo 25 (1), 59-68, 1992
471992
Touching at a distance: Resistance, tactility, proxemics and the development of a hybrid virtual/physical performance system
S Waters
Contemporary Music Review 32 (2-3), 119-134, 2013
192013
The musical process in the age of digital intervention
S Waters
ARiADA Texts 1 (1), 2000
172000
Living without boundaries
S Waters
Bath: Bath College of Higher Education Press, 1994
141994
Timbre composition: Ideology, metaphor and social process
S Waters
Contemporary music review 10 (2), 129-134, 1994
141994
The sonogram: a tool for visual documentation of musical structure
S Waters, T Ungvary
International Computer Music Conference, 1990
131990
Performance Ecosystems
S Waters
Organised Sound 16 (2), 95-96, 2011
92011
Tullis Rennie's Muscle Memory: Listening to the Act of Listening
S Waters
Contemporary Music Review 34 (1), 22-32, 2015
62015
Distributed Agency in Performance
P Stapleton, S Waters, N Ward, O Green
Proc. of International Conference on Live Interfaces, 2016
52016
Making the Archive and Archiving the Making: insights and outcomes from a major research project
S Waters
Organised Sound 11 (2), 143-147, 2006
52006
Thinking the unheard: Hybrid thought in musical practice
S Waters
Hybrid thought, 163-189, 2003
52003
The entanglements which make instruments musical: Rediscovering sociality
S Waters
Journal of New Music Research 50 (2), 133-146, 2021
42021
Living without boundaries: Challenging conventional artform constraints within education
S Waters
Bath Spa University Press, 1994
41994
Contribution Towards an Ethics of Listening: An Improvising Musician’s Perspective
S Waters
Critical Studies in Improvisation/Études critiques en improvisation 12 (1), 2017
32017
Engendering Hope: A Person-Centred Reflection on Technology and Gender
S Waters
Contemporary Music Review 35 (1), 61-70, 2016
32016
Charles Nicholson and the London flute market in the early nineteenth century
S Waters
The Galpin Society Journal, 67-187, 2011
32011
Beyond the Acousmatic:: Hybrid tendencies in electroacoustic music
S Waters
International Confederation for Electroacoustic Music, 1997
31997
Electroacoustic music: composition beyond the acousmatic.
S Waters
University of East Anglia, 1996
31996
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Articles 1–20