Simon Waters
Title
Cited by
Cited by
Year
Performance Ecosystems: Ecological approaches to musical interaction
S Waters
EMS: Electroacoustic Music Studies Network, 1-20, 2007
1032007
Beyond the acousmatic: hybrid tendencies in electroacoustic music
S Waters
Music, electronic media and culture, 66-94, 2016
53*2016
NUNTIUS: A computer system for the interactive composition and analysis of music and dance
T Ungvary, S Waters, P Rajka
Leonardo 25 (1), 59-68, 1992
391992
The musical process in the age of digital intervention
S Waters
ARiADA Texts 1 (1), 2000
172000
Touching at a distance: resistance, tactility, proxemics and the development of a hybrid virtual/physical performance system
S Waters
Contemporary Music Review 32 (2-3), 119-134, 2013
162013
Timbre composition: Ideology, metaphor and social process
S Waters
Contemporary Music Review 10 (2), 129-134, 1994
121994
Performance Ecosystems
S Waters
Special issue of Organised Sound 16 (2), 134-44, 2011
82011
Tullis Rennie's Muscle Memory: Listening to the Act of Listening
S Waters
Contemporary Music Review 34 (1), 22-32, 2015
52015
Making the Archive and Archiving the Making: insights and outcomes from a major research project
S Waters
Organised Sound 11 (2), 143-147, 2006
42006
Thinking the unheard: Hybrid thought in musical practice
S Waters
Hybrid Thought. Milton Keynes: Open University, 2003
42003
The Sonogram: A Tool for Visual Documentation of Musical Structure
S Waters
Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1990
41990
Distributed Agency in Performance
P Stapleton, S Waters, N Ward, O Green
Proc. of International Conference on Live Interfaces, 2016
32016
Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music
S Waters
Swedish Section of ICEM, 1997
31997
Electroacoustic music: composition beyond the acousmatic.
S Waters
University of East Anglia, 1996
31996
Engendering Hope: A Person-Centred Reflection on Technology and Gender
S Waters
Contemporary Music Review 35 (1), 61-70, 2016
22016
Contribution Towards an Ethics of Listening: An Improvising Musician’s Perspective
S Waters
Critical Studies in Improvisation/Études critiques en improvisation 12 (1), 2017
2017
Repetition and Identity.
S Waters, F Stone-Davis
2011
Content and Discontent
S Waters
Performing Technology: User Content and the New Digital Media, 143, 2009
2009
Extended Flute Project-Virtual/Physical feedback flute/Soundspotter flute
S Waters
2005
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Articles 1–19