| Performance Ecosystems: Ecological approaches to musical interaction S Waters EMS: Electroacoustic Music Studies Network, 1-20, 2007 | 103 | 2007 |
| Beyond the acousmatic: hybrid tendencies in electroacoustic music S Waters Music, electronic media and culture, 66-94, 2016 | 53* | 2016 |
| NUNTIUS: A computer system for the interactive composition and analysis of music and dance T Ungvary, S Waters, P Rajka Leonardo 25 (1), 59-68, 1992 | 39 | 1992 |
| The musical process in the age of digital intervention S Waters ARiADA Texts 1 (1), 2000 | 17 | 2000 |
| Touching at a distance: resistance, tactility, proxemics and the development of a hybrid virtual/physical performance system S Waters Contemporary Music Review 32 (2-3), 119-134, 2013 | 16 | 2013 |
| Timbre composition: Ideology, metaphor and social process S Waters Contemporary Music Review 10 (2), 129-134, 1994 | 12 | 1994 |
| Performance Ecosystems S Waters Special issue of Organised Sound 16 (2), 134-44, 2011 | 8 | 2011 |
| Tullis Rennie's Muscle Memory: Listening to the Act of Listening S Waters Contemporary Music Review 34 (1), 22-32, 2015 | 5 | 2015 |
| Making the Archive and Archiving the Making: insights and outcomes from a major research project S Waters Organised Sound 11 (2), 143-147, 2006 | 4 | 2006 |
| Thinking the unheard: Hybrid thought in musical practice S Waters Hybrid Thought. Milton Keynes: Open University, 2003 | 4 | 2003 |
| The Sonogram: A Tool for Visual Documentation of Musical Structure S Waters Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1990 | 4 | 1990 |
| Distributed Agency in Performance P Stapleton, S Waters, N Ward, O Green Proc. of International Conference on Live Interfaces, 2016 | 3 | 2016 |
| Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music S Waters Swedish Section of ICEM, 1997 | 3 | 1997 |
| Electroacoustic music: composition beyond the acousmatic. S Waters University of East Anglia, 1996 | 3 | 1996 |
| Engendering Hope: A Person-Centred Reflection on Technology and Gender† S Waters Contemporary Music Review 35 (1), 61-70, 2016 | 2 | 2016 |
| Contribution Towards an Ethics of Listening: An Improvising Musician’s Perspective S Waters Critical Studies in Improvisation/Études critiques en improvisation 12 (1), 2017 | | 2017 |
| Repetition and Identity. S Waters, F Stone-Davis | | 2011 |
| Content and Discontent S Waters Performing Technology: User Content and the New Digital Media, 143, 2009 | | 2009 |
| Extended Flute Project-Virtual/Physical feedback flute/Soundspotter flute S Waters | | 2005 |
Owen GreenUniversity of HuddersfieldVerified email at hud.ac.uk
Owen GreenUniversity of HuddersfieldVerified email at hud.ac.uk