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Michael Forster
Michael Forster
Consultant for central evaluations and statistics, Vetmeduni Vienna
Verified email at univie.ac.at
Title
Cited by
Cited by
Year
Move me, astonish me… delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective …
M Pelowski, PS Markey, M Forster, G Gerger, H Leder
Physics of Life Reviews 21, 80-125, 2017
4112017
It felt fluent, and I liked it: subjective feeling of fluency rather than objective fluency determines liking.
M Forster, H Leder, U Ansorge
Emotion 13 (2), 280, 2013
1612013
Beyond the lab: an examination of key factors influencing interaction with ‘real’and museum-based art.
M Pelowski, M Forster, PPL Tinio, M Scholl, H Leder
Psychology of Aesthetics, Creativity, and the Arts 11 (3), 245, 2017
1482017
Image ambiguity and fluency
M Jakesch, H Leder, M Forster
PLoS One 8 (9), e74084, 2013
1242013
The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge.
E Specker, M Forster, H Brinkmann, J Boddy, M Pelowski, R Rosenberg, ...
Psychology of Aesthetics, Creativity, and the Arts 14 (2), 172, 2020
1172020
Private and shared taste in art and face appreciation
H Leder, J Goller, T Rigotti, M Forster
Frontiers in Human Neuroscience 10, 155, 2016
882016
The glasses stereotype revisited
H Leder, M Forster, G Gerger
Swiss Journal of Psychology, 2011
862011
Exploring the subjective feeling of fluency
M Forster, H Leder, U Ansorge
Experimental Psychology, 2016
652016
Well, if they like it... Effects of social groups’ ratings and price information on the appreciation of art.
JO Lauring, M Pelowski, M Forster, M Gondan, M Ptito, R Kupers
Psychology of Aesthetics, Creativity, and the Arts 10 (3), 344, 2016
492016
Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation
CC Carbon, SJ Faerber, G Gerger, M Forster, H Leder
International Journal of Design 7 (2), 2013
322013
Face inversion increases attractiveness
H Leder, J Goller, M Forster, L Schlageter, MA Paul
Acta psychologica 178, 25-31, 2017
302017
Warm, lively, rough? Assessing agreement on aesthetic effects of artworks
E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ...
PLoS One 15 (5), e0232083, 2020
272020
It felt fluent but I did not like it: Fluency effects in faces versus patterns
G Gerger, M Forster, H Leder
Quarterly Journal of Experimental Psychology 70 (4), 637-648, 2017
252017
Everything’s relative? Relative differences in processing fluency and the effects on liking
M Forster, G Gerger, H Leder
Plos One 10 (8), e0135944, 2015
252015
Does gallery lighting really have an impact on appreciation of art? An ecologically valid study of lighting changes and the assessment and emotional experience with …
M Pelowski, A Graser, E Specker, M Forster, J von Hinüber, H Leder
Frontiers in Psychology 10, 482539, 2019
182019
Do I really feel it? The contributions of subjective fluency and compatibility in low-level effects on aesthetic appreciation
M Forster, W Fabi, H Leder
Frontiers in human neuroscience 9, 373, 2015
182015
On the mutual relation between art experience and viewing time.
D Brieber, M Forster, H Leder
Psychology of Aesthetics, Creativity, and the Arts 14 (2), 197, 2020
162020
Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task
J Pietschnig, G Gittler, S Stieger, M Forster, N Gadek, A Gartus, ...
PLoS One 13 (9), e0202873, 2018
112018
The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment.
M Pelowski, G Cabbai, H Brinkmann, J Mikuni, LM Hegelmaier, M Forster, ...
Psychology of Aesthetics, Creativity, and the Arts, 2020
82020
Processing fluency
M Forster
The Oxford handbook of empirical aesthetics, 430, 2022
52022
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