| Hindi film songs and the cinema A Morcom Routledge, 2017 | 233 | 2017 |
| Illicit Worlds of Indian Dance: Cultures of Exclusion A Morcom Hurst, 2013 | 176 | 2013 |
| An understanding between Bollywood and Hollywood? The meaning of Hollywood‐style music in Hindi films A Morcom British Journal of Ethnomusicology 10 (1), 63-84, 2001 | 53 | 2001 |
| Getting heard in Tibet: Music, media and markets A Morcom Consumption, Markets and Culture 11 (4), 259-285, 2008 | 43* | 2008 |
| Terrains of Bollywood dance:(Neoliberal) capitalism and the transformation of cultural economies A Morcom Ethnomusicology 59 (2), 288-314, 2015 | 32 | 2015 |
| Courtesans, bar girls & dancing boys: The illicit worlds of Indian dance A Morcom Hachette UK, 2014 | 27 | 2014 |
| Introduction: Screened music, trans-contextualisation and ethnomusicological approaches M Mera, A Morcom Ethnomusicology Forum 18 (1), 3-19, 2009 | 25 | 2009 |
| Film songs and the cultural synergies of Bollywood in and beyond South Asia A Morcom Beyond the boundaries of Bollywood: The many forms of Hindi cinema, 156-87, 2011 | 24 | 2011 |
| Tapping the mass market: The commercial life of Hindi film songs A Morcom Global Bollywood: Travels of Hindi Song and Dance, 63-84, 2008 | 23 | 2008 |
| History, traditions, identities and nationalism: drawing and redrawing the musical cultural map of Tibet A Morcom Tibetan Studies: An Anthology, 385-417, 2011 | 22 | 2011 |
| Modernity, power and the reconstruction of dance in post 1950s Tibet A Morcom Journal of the International Association of Tibetan Studies 3, 1-32, 2007 | 21 | 2007 |
| Locating music in capitalism: a view from exile Tibet1 A Morcom Popular Music 34 (2), 274-295, 2015 | 17 | 2015 |
| Landscape, urbanization, and capitalist modernity: exploring the “great transformation” of Tibet through its songs A Morcom Yearbook for Traditional Music 47, 161-189, 2015 | 17 | 2015 |
| Bollywood, Tibet, and the spatial and temporal dimensions of global modernity A Morcom Studies in South Asian Film & Media 1 (1), 145-172, 2009 | 11 | 2009 |
| Unity and Discord: Music and Politics in Contemporary Tibet A Morcom E-book. Tibet, 2004 | 10 | 2004 |
| The political potency of Tibetan identity in pop music and Dunglen A Morcom HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies 38 …, 2018 | 7 | 2018 |
| Interview with Shivkumar Sharma, Classical Santoor Player and Hindi Film Music Composer: Interviewed by Anna Morcom, 26 March 2000 A Morcom Ethnomusicology Forum 18 (1), 65-72, 2009 | 7 | 2009 |
| The Hindi film orchestra A Morcom Global perspectives on orchestras: Collective creativity and social agency 4 …, 2017 | 6 | 2017 |
| Indian popular culture and its ‘others’: Bollywood dance and anti-nautch in twenty-first-century global India A Morcom Popular Culture in a Globalised India, 125-138, 2009 | 6 | 2009 |
| Music, Exchange, and the Production of Value: A Case Study of Hindustani Music A Morcom the Oxford Handbook of Economic Ethnomusicology, 2020 | 4 | 2020 |
Patrick NevelingDepartment of Social Sciences and Social Work, Bournemouth UniversityVerified email at bournemouth.ac.uk
