| When the eye listens: A meta-analysis of how audio-visual presentation enhances the appreciation of music performance F Platz, R Kopiez Music Perception: An Interdisciplinary Journal 30 (1), 71-83, 2012 | 186 | 2012 |
| The influence of deliberate practice on musical achievement: A meta-analysis F Platz, R Kopiez, AC Lehmann, A Wolf Frontiers in Psychology 5, 2014 | 149 | 2014 |
| Music on the timing grid: The influence of microtiming on the perceived groove quality of a simple drum pattern performance J Frühauf, R Kopiez, F Platz Musicae Scientiae 17 (2), 246-260, 2013 | 92 | 2013 |
| When the first impression counts: Music performers, audience and the evaluation of stage entrance behaviour F Platz, R Kopiez Musicae Scientiae 17 (2), 167-197, 2013 | 59 | 2013 |
| The impact of song-specific age and affective qualities of popular songs on music-evoked autobiographical memories (MEAMs) AW Reinhard Kopiez, Johannes Hasselhorn Musicae Scientiae, 2015 | 46 | 2015 |
| The role of listening expertise, attention, and musical style in the perception of clash of keys R Kopiez, F Platz Music Perception 26 (4), 321-334, 2009 | 27 | 2009 |
| The overrated power of background music in television news magazines: A replication of Brosius’ 1990 study R Kopiez, F Platz, A Wolf Musicae Scientiae 17 (3), 309-331, 2013 | 22 | 2013 |
| Handbuch Musikpädagogik. Grundlagen – Forschung – Diskurse M Dartsch, A Niessen, J Knigge, F Platz, C Stöger | 21 | 2018 |
| Replacing the orchestra?–The discernibility of sample library and live orchestra sounds R Kopiez, A Wolf, F Platz, J Mons PLoS One 11 (7), e0158324, 2016 | 16 | 2016 |
| Vom Sentographen zur Gänsehautkamera. Entwicklungsgeschichte und Systematik elektronischer Interfaces in der Musikpsychologie R Kopiez, J Dressel, M Lehmann, F Platz Tectum Verlag, 2011 | 14 | 2011 |
| Small Influence of Performing from Memory on Audience Evaluation R Kopiez, A Wolf, F Platz Empirical Musicology Review 12 (1-2), 2-14, 2017 | 13 | 2017 |
| Thinking in music: An objective measure of notation-evoked sound imagery in musicians. A Wolf, R Kopiez, F Platz Psychomusicology: Music, Mind, and Brain 28 (4), 209, 2018 | 12 | 2018 |
| When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenon R Kopiez, A Platz, Friedrich, Müller, Silvia, Wolf Psychology of Music 43 (3), 359–374, 2015 | 11 | 2015 |
| The Headphone and Loudspeaker Test–Part I: Suggestions for controlling characteristics of playback devices in internet experiments Y Wycisk, R Kopiez, J Bergner, K Sander, S Preihs, J Peissig, F Platz Behavior Research Methods, 1-14, 2022 | 10 | 2022 |
| Vom Anfänger zum Experten: Lernen, Übung und Motivation F Platz, AC Lehmann Handbuch Musikpsychologie, 63-92, 2018 | 9 | 2018 |
| Transfer M Dartsch, J Knigge, F Platz Handbuch Musikpädagogik: Grundlagen-Forschung-Diskurse, 207-215, 2018 | 8 | 2018 |
| Statistische Poweranalyse als Weg zu einer "kraftvolleren" Musikpsychologie im 21. Jahrhundert F Platz, R Kopiez, M Lehmann Musikpsychologie - Populäre Musik 22, 165-179, 2012 | 8 | 2012 |
| Handbuch Musikpädagogik M Dartsch, J Knigge, A Niessen, F Platz, C Stöger Grundlagen–Forschung–Diskurse. Münster, 2018 | 7 | 2018 |
| Üben aus musikpsychologischer Perspektive F Platz, AC Lehmann Handbuch Musikpädagogik. Grundlagen–Forschung–Diskurse, 268-274, 2018 | 7 | 2018 |
| Vom Sentographen zur Gänsehautkamera R Kopiez, J Dressel, M Lehmann, F Platz Entwicklungsgeschichte und Systematik elektronischer Interfaces in der …, 2011 | 7 | 2011 |
Reinhard KopiezProfessor for Music Psychology, Hanover University of Music, Drama and MediaVerified email at hmtm-hannover.de
