Andrew McPherson

Cited by

	All	Since 2015
Citations	1378	1247
h-index	21	19
i10-index	41	38

320

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201120122013201420152016201720182019202012 28 36 47 93 113 200 319 275 234

Co-authors

Fabio MorrealeLecturer, University of AucklandVerified email at auckland.ac.nz
Robert H JackQueen Mary University of LondonVerified email at qmul.ac.uk
Youngmoo KimAssociate Professor of Electrical and Computer Engineering, Drexel UniversityVerified email at drexel.edu
Victor ZappiNortheastern UniversityVerified email at northeastern.edu
S. M. Astrid BinAbleton AG, DEVerified email at ableton.com
Giulio MoroPhD researcher, Queen Mary University of LondonVerified email at qmul.ac.uk
Tony StockmanQueen Mary University of LondonVerified email at qmul.ac.uk
Jacob HarrisonQueen Mary University of LondonVerified email at qmul.ac.uk
Christian HeinrichsQueen Mary University of LondonVerified email at qmul.ac.uk
Laurel S. PardueQueen Mary University of LondonVerified email at qmul.ac.uk
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Jack ArmitageQueen Mary University of LondonVerified email at qmul.ac.uk
Prof. Nick Bryan-KinnsQueen Mary University of LondonVerified email at acm.org
Luca TurchetAssistant Professor, Dept. of Information Engineering and Computer Science, University of TrentoVerified email at unitn.it
Marcelo M. WanderleyProfessor - McGill University, INRIA International ChairVerified email at mcgill.ca
Christopher HarteMelodient LimitedVerified email at melodient.com
Alan ChamberlainSenior Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
Mathieu BarthetLecturer in Digital Media, Queen Mary University of LondonVerified email at qmul.ac.uk
Giacomo LepriQueen Mary University of LondonVerified email at qmul.ac.uk
Duncan MenziesQueen Mary University of LondonVerified email at eecs.qmul.ac.uk

Andrew McPherson

Reader (Assoc. Prof.), Queen Mary University of London

Verified email at qmul.ac.uk - Homepage

Augmented Instruments Sound and Music Computing New Interfaces for Musical Expression NIME


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio Engineering Society Convention 138, 2015	108	2015
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010	65	2010
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. AP McPherson, YE Kim NIME, 217-222, 2010	52	2010
Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014	51	2014
Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016	50	2016
Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014	45	2014
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012	41	2012
The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012	38	2012
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017	35	2017
Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016	34	2016
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	32	2017
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences L Turchet, A McPherson, C Fischione Proceedings of the Sound and Music Computing Conference, 498-505, 2016	32	2016
Design and use of a hackable digital instrument V Zappi, A McPherson	30	2014
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016	28	2016
Designing for exploratory play with a hackable digital musical instrument AP McPherson, A Chamberlain, A Hazzard, S McGrath, S Benford Proceedings of the 2016 ACM Conference on Designing Interactive Systems …, 2016	28	2016
Multidimensional gesture sensing at the piano keyboard AP McPherson, YE Kim Proceedings of the SIGCHI Conference on Human Factors in Computing Systems …, 2011	28	2011
The EMvibe: An Electromagnetically Actuated Vibraphone. NC Britt, J Snyder, AP McPherson NIME, 2012	26	2012
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015	24	2015
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response SA Bin, N Bryan-Kinns, AP McPherson New Interfaces for Musical Expression, 2016	22	2016
Rich gesture, reduced control: the influence of constrained mappings on performance technique RH Jack, T Stockman, A McPherson International Conference on Movement and Computing, 2017	21	2017

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