| The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice S Kerrigan, P McIntyre Journal of media practice 11 (2), 111-130, 2010 | 118 | 2010 |
| Accommodating creative documentary practice within a revised systems model of creativity S Kerrigan Journal of media practice 14 (2), 111-127, 2013 | 97 | 2013 |
| Screen Production Research C Batty, S Kerrigan Creative Practice as a Mode of Enquiry, Cham, 2018 | 67 | 2018 |
| Examining documentary transmedia narratives through The Living History of Fort Scratchley project S Kerrigan, J Velikovsky Convergence The International Journal of Research into New Media …, 2015 | 44 | 2015 |
| Re-conceptualising screenwriting for the academy: the social, cultural and creative practice of developing a screenplay S Kerrigan, C Batty New writing 13 (1), 130-144, 2016 | 42 | 2016 |
| Educating for creativity within higher education P McIntyre, J Fulton, E Paton, S Kerrigan, M Meany Integration of Research into Media Practice, 2018 | 27 | 2018 |
| Screen production enquiry: A study of five Australian doctorates S Kerrigan, L Berkeley, S Maher, M Sergi, A Wotherspoon Studies in Australasian Cinema 9 (2), 93-109, 2015 | 24 | 2015 |
| Creative documentary practice: Internalising the systems model of creativity through documentary video and online practice S Kerrigan University of Newcastle, 2011 | 23 | 2011 |
| A ‘logical’explanation of screen production as method-led research S Kerrigan Screen production research: Creative practice as a mode of enquiry, 11-27, 2018 | 22 | 2018 |
| Reconceptualizing creative documentary practices S Kerrigan The creative system in action: Understanding cultural production and …, 2016 | 22 | 2016 |
| The systemic relationship between creative failure and creative success in the creative industries S Kerrigan, P McIntyre, J Fulton, M Meany Creative Industries Journal 13 (1), 2-16, 2020 | 15 | 2020 |
| The spectator in the film-maker: re-framing filmology through creative film-making practices S Kerrigan Journal of Media Practice 17 (2-3), 186-198, 2016 | 14 | 2016 |
| Creative practice research: Interrogating creativity theories through documentary practice S Kerrigan Text 14 (Special 8), 1-16, 2010 | 13 | 2010 |
| Creativity and cultural production in the hunter: An applied ethnographic study of new entrepreneurial systems in the creative industries P McIntyre, M Balnaves, S Kerrigan, E King, C Williams Retrieved June 5, 2022, 2019 | 10 | 2019 |
| Looking back in order to look forward: Re-scripting and re-framing screen production research S Kerrigan, C Batty Studies in Australasian cinema 9 (2), 90-92, 2015 | 10 | 2015 |
| Reflecting on documentary video practice S Kerrigan Speculations and Innovations: applying practice led research in the Creative …, 2006 | 10 | 2006 |
| Reflecting on documentary video practice S Kerrigan Speculations and Innovations: applying practice led research in the Creative …, 2006 | 10 | 2006 |
| Regional creative industries: Transforming the Steel City into a creative city in Newcastle, Australia S Kerrigan, S Hutchinson Creative Industries Journal 9 (2), 116-129, 2016 | 9 | 2016 |
| The filmmakers’ research perspectives: an overview of Australian and UK filmmaking research S Kerrigan, J Callaghan Refereed Proceedings: Australian Screen Production Education and Research …, 2016 | 9 | 2016 |
| Collaborative and creative documentary production in video and online S Kerrigan Proceedings of ISEA2008, 2008 | 9 | 2008 |
Phillip McIntyreProfessor, University of Newcastle, AustraliaVerified email at newcastle.edu.au
