The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge. E Specker, M Forster, H Brinkmann, J Boddy, M Pelowski, R Rosenberg, ... Psychology of Aesthetics, Creativity, and the Arts 14 (2), 172, 2020 | 83 | 2020 |
Abstract art as a universal language? H Brinkmann, L Commare, H Leder, R Rosenberg Leonardo 47 (3), 256-257, 2014 | 38 | 2014 |
Link to data: https://atreus. informatik. uni-tuebingen. de/seafile/d/8e2ab8c3fdd444e1a135/? p=% 2FEyetrace&mode= list W Fuhl, T Kuebler, H Brinkmann, R Rosenberg, W Rosenstiel, E Kasneci | 37 | 2018 |
The universal and automatic association between brightness and positivity E Specker, H Leder, R Rosenberg, LM Hegelmaier, H Brinkmann, ... Acta Psychologica 186, 47-53, 2018 | 36 | 2018 |
The display makes a difference: A mobile eye tracking study on the perception of art before and after a museum’s rearrangement L Reitstätter, H Brinkmann, T Santini, E Specker, Z Dare, F Bakondi, ... Journal of Eye Movement Research 13 (2), 2020 | 34 | 2020 |
The art of pervasive eye tracking: Unconstrained eye tracking in the Austrian Gallery Belvedere T Santini, H Brinkmann, L Reitstätter, H Leder, R Rosenberg, ... Proceedings of the 7th workshop on pervasive eye tracking and mobile eye …, 2018 | 34 | 2018 |
Warm, lively, rough? Assessing agreement on aesthetic effects of artworks E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ... Plos one 15 (5), e0232083, 2020 | 23 | 2020 |
Ferocious colors and peaceful lines describing and measuring aesthetic effects H Brinkmann, J Boddy, B Immelmann, E Specker, M Pelowski, H Leder, ... Maske und Kothurn 65 (1), 7-26, 2018 | 8 | 2018 |
Testing a calibration-free eye tracker prototype at the Kunsthistorisches Museum in Vienna Z Dare, H Brinkmann, R Rosenberg Journal of Eye Movement Research 13 (2), 2020 | 6 | 2020 |
The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment. M Pelowski, G Cabbai, H Brinkmann, J Mikuni, LM Hegelmaier, M Forster, ... Psychology of Aesthetics, Creativity, and the Arts, 2020 | 6 | 2020 |
The art of pervasive eye tracking T Santini, H Brinkmann, L Reitstätter, H Leder, R Rosenberg, ... Proceedings of the 2018 ACM Symposium on Eye Tracking Research …, 2018 | 5 | 2018 |
Does ‘action viewing’really exist? Perceived dynamism and viewing behaviour H Brinkmann, L Williams, R Rosenberg, E McSorley Art & Perception 8 (1), 27-48, 2020 | 4 | 2020 |
How do we move in front of art? How does this relate to art experience? Linking movement, eye tracking, emotion, and evaluations in an ecologically-valid gallery setting C Kühnapfel, J Fingerhut, H Brinkmann, V Ganster, T Tanaka, E Specker, ... PsyArXiv, 2022 | 3 | 2022 |
‘The Cultural Eye’. Eine Empirische Studie zur kulturellen Varianz in der Kunstwahrnehmung H Brinkmann PhD diss., University of Vienna, 2017 | 3 | 2017 |
Auf den Spuren von Seh-Modi beim Kunstbetrachten H Brinkmann Wahrnehmen als soziale Praxis, 303-331, 2021 | 1 | 2021 |
Kulturelle Varianzen bei der Kunstbetrachtung: Überlegungen zur empirischen Erforschung von Sehgewohnheiten H Brinkmann 21: Inquiries into Art, History, and the Visual 2 (1), 159-194, 2021 | | 2021 |
Neuroaesthetics: Maladies and Remedies Michael Kubovy 1 Does ‘Action Viewing’Really Exist? Perceived Dynamism and Viewing Behaviour H Brinkmann, L Williams, R Rosenberg, E McSorley, CJ Erkelens, ... Skin 8 (3-4), 237-437, 2020 | | 2020 |
Is Red Warm for Everyone? Assessing the Agreement on Aesthetic Effects of Artworks E Specker, M Forster, H Brinkmann, J Boddy, B Immelmann, J Goller, ... Assessing the Agreement on Aesthetic Effects of Artworks (October 4, 2019 …, 2020 | | 2020 |
Data Collection, Data Management, Data Analysis, Oh My! Training Videos for Evaluation in Informal Learning Environments T Santini, H Brinkmann, L Reitstätter, H Leder, R Rosenberg, ... 32nd Annual Visitor Studies Association, 12, 2019 | | 2019 |
Author Note E Specker, H Leder, R Rosenberg, LM Hegelmaier, H Brinkmann, ... | | |