| Understanding the Music Industries C Anderton, A Dubber, M James | 112 | 2012 |
| State of Bass: Jungle–the story so far M James Boxtree, Macmillan, 1997 | 43 | 1997 |
| The (re) marketing of disability in pop: Ian Curtis and Joy Division M Waltz, M James Popular Music 28 (3), 367-380, 2009 | 41 | 2009 |
| French Connections: From Discotheque to Discovery M James Sanctuary Press, 2003 | 18 | 2003 |
| Editorial introduction: Music journalism C Jacke, M James, E Montano IASPM Journal 4 (2), 2014 | 15 | 2014 |
| A silent voice across the MEdiaverse: The Next Day as identities prosumed M James Celebrity studies 4 (3), 387-389, 2013 | 12 | 2013 |
| State of Bass: The Origins of Jungle/Drum & Bass M James Velocity Press, 2020 | 11 | 2020 |
| Moby: replay-his life and times M James Independent Music, 2001 | 7 | 2001 |
| Dave Grohl-Times Like His: Foo Fighters, Nirvana & Other Misadventures M James John Blake Publishing, 2015 | 5 | 2015 |
| ‘No I don’t like where you come from, it’s just a satellite of London’: High Wycombe, the Sex Pistols and the punk transformation M James Punk & Post-Punk 7 (3), 341-362, 2018 | 4 | 2018 |
| Fatboy Slim: Funk Soul Brother M James Sanctuary, 2003 | 4 | 2003 |
| Documenting no wave: Brian Eno as urban ethnographer M James Brian Eno: Oblique Music, 257, 2016 | 3* | 2016 |
| Prodigy M James | 3 | 2002 |
| The Prodigy: Adventures with the Voodoo Crew M James Ebury Press, 1997 | 2 | 1997 |
| The beautiful people are ugly too’: The Clash as my ‘true fiction' M James Working for the clampdown: The Clash, the dawn of neoliberalism and the …, 2019 | 1 | 2019 |
| Keith Flint 1969–2019 M James Punk & Post-Punk 8 (2), 275-280, 2019 | | 2019 |
Mitzi WaltzResearcher, Vrije Universiteit AmsterdamBestätigte E-Mail-Adresse bei vu.nl
