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Liam Jarvis
Liam Jarvis
Lecturer in Theatre, University of Essex
Verified email at essex.ac.uk - Homepage
Title
Cited by
Cited by
Year
Immersive embodiment
L Jarvis
Springer International Publishing, 2019
432019
The Ethics of Mislocalized Selfhood: Proprioceptive Drifting Towards the Virtual Other
L Jarvis
Performance Research 22 (4), 2017
92017
Creating in the Dark: Conceptualizing Different Darknesses in Contemporary Practice
L Jarvis
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre, 88-112, 2017
82017
Narrative as virtual reality 2: revisiting immersion and interactivity in literature and electronic media: by Marie-Laure Ryan, Baltimore, John Hopkins University Press, 2015 …
L Jarvis
International Journal of Performance Arts and Digital Media 15 (2), 239-241, 2019
72019
Avatars, activism and postdigital performance: Precarious intermedial identities
L Jarvis, K Savage
Bloomsbury Publishing, 2021
52021
“The Mystery of the Raddlesham Mumps”: a Case Study for Combined Storytelling in a Theatre Play and Virtual Reality
LCJ Van Dam, ALM Webb, LDB Jarvis, PB Hibbard, M Linley
2020 International Conference on 3D Immersion (IC3D), 1-7, 2020
32020
Theatre, Appification and VR Apps: Disability Simulations as an Intervention in ‘Affective Realism’
L Jarvis
Theatres of Contagion: Transmitt-ing Early Modern to Contemporary Perfor …, 2019
32019
Deepfake-ification: A Postdigital Aesthetics of Wrongness in Deepfakes and Theatrical Shallowfakes
L Jarvis
Avatars, Activism and Postdigital Performance: Precarious Intermedial …, 2021
22021
Body-swapping: self-attribution and body transfer illusions (BTIs)
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 99-154, 2019
22019
Time-sculptures of Terrifying Ambiguity: Staging ‘Inner Space’ and Migrating Realities in Analogue’s Living Film Set
L Jarvis
International Journal of Performance Arts and Digital Media, 2017
22017
Theatre-Rites: Animating Puppets, Objects and Sites
L Jarvis, S Buckmaster
Routledge, 2021
12021
Touching with a Virtualized Hand: Analogue’s Transports
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 187-216, 2019
12019
‘Empathy Activism’ and Bodying Difference in Postdigital Culture: Jane Gauntlett’s In My Shoes and BeAnotherLab’s The Machine to Be Another
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 159-186, 2019
12019
The Suffering Avatar: Vicarity and Resistance in Body-Tracked Multiplayer Gaming
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 217-239, 2019
12019
Renegotiating Immersive Participation in Analogue’s Re-enactments
L Jarvis
Performance and Participation: Practices, Audiences, Politics, 41-61, 2016
1*2016
Postdigital Performances of Care: Technology & Pandemic
L Jarvis, K Savage
Bloomsbury Publishing, 2023
2023
TechNO-fixes?: performances within ecological emergencies
L Jarvis, K Savage
International Journal of Performance Arts and Digital Media 18 (2), 203-207, 2022
2022
Introduction: Immersion as ‘Perceptual Embodiment’
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 1-38, 2019
2019
The Immersive Promise of Becoming [with] the Other Body
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 73-98, 2019
2019
Proto-Immersive Discourse and the ‘Theatrical Condition’
L Jarvis, L Jarvis
Immersive Embodiment: Theatres of Mislocalized Sensation, 41-72, 2019
2019
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