| Film Analysis as Annotation: Exploring Current Tools LM Estrada, E Hielscher, M Koolen, CG Olesen, J Noordegraaf, J Blom Moving Image: The Journal of the Association of Moving Image Archivists 17 …, 2017 | 132 | 2017 |
| Data-driven research for film history: exploring the Jean Desmet collection CG Olesen, E Masson, J Van Gorp, G Fossati, J Noordegraaf Moving Image: The Journal of the Association of Moving Image Archivists 16 …, 2016 | 24 | 2016 |
| Film history in the making: Film historiography, digitised archives and digital research dispositifs CG Olesen | 17* | 2017 |
| Towards a ‘Humanistic Cinemetrics’? CG Olesen Amsterdam University Press, 2017 | 16 | 2017 |
| Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. E Masson, CG Olesen, N van Noord, G Fossati DHQ: Digital Humanities Quarterly, 2020 | 10 | 2020 |
| From Text Mining to Visual Classification: Rethinking Computational New Cinema History with Jean Desmet’s Digitised Business Archive CG Olesen, I Kisjes Tijdschrift voor Mediageschiedenis 21 (2), 127-145, 2018 | 5 | 2018 |
| Found footage photogénie–An interview with Elif Rongen-Kaynakçi and Mark-Paul Meyer CG Olesen NECSUS. European Journal of Media Studies 2 (2), 555-562, 2013 | 5 | 2013 |
| Automatic Annotations and Enrichments for Audiovisual Archives. N Van Noord, CG Olesen, R Ordelman, J Noordegraaf ICAART (1), 633-640, 2021 | 4 | 2021 |
| SEMIA and Moving Image Data Visualization: An Overview and Brief Introduction CG Olesen The Sensory Moving Image Archive, 2018 | 4 | 2018 |
| Datasets and Colour Visualizations for ‘Data-Driven Film History. A Demonstrator of EYE’s Jean Desmet Collection CG Olesen, J Gorp, G Fossati Creative Amsterdam. An E-Humanities Perspective. A Research Program at the …, 2016 | 3 | 2016 |
| Formalising digital formalism: an interview with Adelheid Heftberger and Matthias Zeppelzauer about the Vienna Vertov Project CG Olesen Shifting Layers: New Perspectives in Media Archaeology across Digital Media …, 2015 | 3 | 2015 |
| Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories PD Keidl, CG Olesen SYNOPTIQUE: An Online Journal of Film and Moving Image Studies 6 (1), 1-139, 2018 | 2 | 2018 |
| Panoramic Visions of the Archive in EYE’s Panorama: A Case Study in Digital Film Historiography CG Olesen Cinéma & Cie. Film and Media Studies Journal 14 (22-23), 2014 | 2 | 2014 |
| Notes on the Helpful User Anno 2022 CG Olesen Journal of Film Preservation, 39-46, 2022 | 1 | 2022 |
| Digital Access as Archival Reconstitution: Algorithmic Sampling, Visualization, and the Production of Meaning in Large Moving Image Repositories E Masson, CG Olesen Signata. Annales des sémiotiques/Annals of Semiotics, 2021 | 1 | 2021 |
| Introduction: Film Heritage and Digital Scholarship-Computer-Based Approaches to Film Archiving, Restoration and Philology R Catanese, A Heftberger, CG Olesen CINERGIE, 1-6, 2021 | 1 | 2021 |
| “This is our first big experiment”: Paris 1900 (1947) and the Eye Filmmuseum’s early collection-building C Olesen Early Popular Visual Culture 17 (2), 207-217, 2019 | 1 | 2019 |
| OCR'ing and classifying Jean Desmet's business archive: methodological implications and new directions for media historical research. CG Olesen, I Kisjes DH, 464, 2018 | 1 | 2018 |
| A demonstration of scholarly web annotation support using the W3C annotation data model and RDFa J Blom, M Koolen, L Melgar, P Boot, RH Dekker, CG Olesen, S Aasman, ... | 1 | 2017 |
| Film analysis as annotation: Exploring current tools and their affordances E Hielscher, L Melgar, M Koolen, C Olesen, J Noordegraaf, J Blom The Moving Image. The Journal of the Association of Moving Image Archivists …, 2017 | 1 | 2017 |
