Follow
Vera M. Hesslinger
Vera M. Hesslinger
Department of General Psychology and Methodology, University of Bamberg
Verified email at uni-bamberg.de - Homepage
Title
Cited by
Cited by
Year
The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity, and the opportunity for insight affect appreciation.
C Muth, VM Hesslinger, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 9 (3), 206, 2015
1302015
Bateson et al.’s (2006) cues-of-being-watched paradigm revisited.
CC Carbon, VM Hesslinger
Swiss Journal of Psychology/Schweizerische Zeitschrift für Psychologie/Revue …, 2011
682011
Men in red: A reexamination of the red-attractiveness effect
VM Hesslinger, L Goldbach, CC Carbon
Psychonomic Bulletin & Review 22 (4), 1142-1148, 2015
382015
Variants of semantic instability (SeIns) in the arts: A classification study based on experiential reports.
C Muth, VM Hesslinger, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 12 (1), 11, 2018
342018
#TheDress: The Role of Illumination Information and Individual Differences in the Psychophysics of Perceiving White–Blue Ambiguities
VM Hesslinger, CC Carbon
i-Perception 7 (2), 2041669516645592, 2016
302016
Da Vinci's Mona Lisa Entering the Next Dimension
CC Carbon, VM Hesslinger
Perception 42 (8), 887-893, 2013
222013
Attitudes and cognitive distances: On the non-unitary and flexible nature of cognitive maps
CC Carbon, VM Hesslinger
Advances in cognitive psychology 9 (3), 121, 2013
202013
The sense of being watched is modulated by arousal and duration of the perceptual episode
VM Hesslinger, CC Carbon, H Hecht
i-Perception 8 (6), 2041669517742179, 2017
132017
Social factors in aesthetics: Social conformity pressure and a sense of being watched affect aesthetic judgments
VM Hesslinger, CC Carbon, H Hecht
i-Perception 8 (6), 2041669517736322, 2017
132017
Stable aesthetic standards delusion: Changing ‘artistic quality’by elaboration
CC Carbon, VM Hesslinger
Perception 43 (9), 1006-1013, 2014
102014
On the nature of the background behind Mona Lisa
CC Carbon, VM Hesslinger
Leonardo 48 (2), 183-184, 2015
92015
Restoring depth to Leonardo's Mona Lisa: was La Gioconda the model for one of the world's earliest attempts at three-dimensional imaging?
CC Carbon, VM Hesslinger
American Scientist 103 (6), 404-410, 2015
52015
The face of terrorism: Stereotypical Muslim facial attributes evoke implicit perception of threat
G Harsányi, M Raab, VM Hesslinger, D Düclos, J Zink, CC Carbon
Perception 41 (41 (2012), supplement), 111-111, 2012
32012
Navigating through a volumetric world does not imply needing a full three-dimensional representation
CC Carbon, VM Hesslinger
Otto-Friedrich-Universität, 2013
22013
Less is More: Perception as a fun way to Rich Minimalism
CC Carbon, S Utz, VM Hesslinger
i-Perception 13 (2), 20416695221089678, 2022
12022
Unsolvable, yet insightful: The appeal of indeterminate and ambiguous artworks
C Muth, VM Hesslinger, CC Carbon
PERCEPTION 44, 34-35, 2015
2015
The face of terrorism
G Harsányi, M Raab, VM Hesslinger, D Düclos, J Zink, CC Carbon
Navigating through a volumetric world does not imply needing a full 3D-representation
KJ Jeffery, A Jovalekic, M Verriotis, R Hayman, CC Carbon, ...
Forced ideomotoric empathy
T Kämmerer, I Kalpakoula, M Kleber, M Salinas-Rannenberg, C Schmitt, ...
The system can't perform the operation now. Try again later.
Articles 1–19