| Subcultural identity in alternative music culture H Kruse Popular music 12 (1), 33-41, 1993 | 362 | 1993 |
| Site and sound: Understanding independent music scenes H Kruse (No Title), 2003 | 261 | 2003 |
| Local identity and independent music scenes, online and off H Kruse Popular Music and Society 33 (5), 625-639, 2010 | 228 | 2010 |
| Abandoning the absolute: transcendence and gender in popular music discourse H Kruse Pop music and the press, 134-155, 2002 | 69 | 2002 |
| Early audio technology and domestic space H Kruse Stanford Humanities Review 3 (2), 1-14, 1993 | 30 | 1993 |
| In Praise of Kate Bush H Kruse On record: Rock, pop, and the written word, 450-65, 1990 | 26 | 1990 |
| Fields of practice: Musical production, public policy, and the market H Kruse Mapping the beat: Popular music and contemporary theory, 187-201, 1998 | 22 | 1998 |
| Social interaction, the arrangement of interior space, and racetrack renovation H Kruse Journal of Sport and Social Issues 27 (4), 330-345, 2003 | 12 | 2003 |
| Narrowcast technology, interactivity, and the economic relations of space: The case of horse race simulcasting H Kruse New Media & Society 4 (3), 385-404, 2002 | 12 | 2002 |
| Local independent music scenes and the implications of the internet HC Kruse Sound, society and the geography of popular music, 205-218, 2016 | 11 | 2016 |
| Marginal formations and the production of culture: The case of college music HC Kruse University of Illinois at Urbana-Champaign, 1995 | 11 | 1995 |
| Off-track and online: The networked spaces of horse racing H Kruse MIT Press, 2016 | 9 | 2016 |
| Betting on news corporation: Interactive media, gambling, and global information flows H Kruse Television & New Media 10 (2), 179-194, 2009 | 8 | 2009 |
| Kate Bush: Enigmatic chanteuse as pop pioneer H Kruse Tracking Popular Music Studies 1 (1), 13, 1988 | 5 | 1988 |
| Multimedia Use in a Sport Setting: Communication Technologies at Off-Track Betting Facilities H Kruse Sociology of Sport Journal 27 (4), 413-427, 2010 | 3 | 2010 |
| Institutional Practices in Alternative Music Scenes H Kruse Popular Music: Style and Identity, 191-193, 1995 | 3 | 1995 |
| Economies of the internet III: spheres H Kruse, B O’Hallarn, JC McKnight, C Tekkobe, T Shepherd, J Shtern AoIR Selected Papers of Internet Research, 2015 | 2 | 2015 |
| Algorithmic Identity: Networks, Data, and the terrible beauty of the black box AN Markham, H Kruse, J Hemsley, M Steenson AoIR Selected Papers of Internet Research, 2013 | 2 | 2013 |
| Terminal markets: Gender and online horse racing economies H Kruse First Monday, 2016 | 1 | 2016 |
| An organization of impersonal relations: The Internet and networked markets H Kruse First Monday, 2007 | 1 | 2007 |
