| Gypsies, wars, and other instances of the wild: civilisation and its discontents in a Serbian town M Van de Port Amsterdam University Press, 1998 | 230* | 1998 |
| Ecstatic encounters: Bahian candomblé and the quest for the really real M Van de Port Amsterdam University Press, 2011 | 131 | 2011 |
| Visualizing the sacred: Video technology,“televisual” style, and the religious imagination in Bahian candomblé M Van de Port American ethnologist 33 (3), 444-461, 2006 | 108 | 2006 |
| ‘It Takes a Serb to Know a Serb’ Uncovering the roots of obstinate otherness in Serbia M Van de Port Critique of Anthropology 19 (1), 7-30, 1999 | 88 | 1999 |
| Circling around the Really Real: Spirit Possession Ceremonies and the Search for Authenticity in Bahian Candomblé M Port Ethos 33 (2), 149-179, 2005 | 83 | 2005 |
| Candomblé in pink, green and black. Re-scripting the Afro-Brazilian religious heritage in the public sphere of Salvador, Bahia M Van de Port Social Anthropology 13 (1), 3-26, 2005 | 71 | 2005 |
| Introduction: Heritage dynamics politics of authentication, aesthetics of persuasion and the cultural production of the real MPJ Van de Port, B Meyer Sense and essence. Heritage and the cultural production of the real, 1-39, 2018 | 60 | 2018 |
| Chupar frutas in Salvador da Bahia: a case of practice‐specific alterities M Van de Port, A Mol Journal of the Royal Anthropological Institute 21 (1), 165-180, 2015 | 57 | 2015 |
| Registers of incontestability: The quest for authenticity in academia and beyond M Van de Port Etnofoor, 7-22, 2004 | 56 | 2004 |
| The articulation of soul: gypsy musicians and the Serbian Other M Van de Port Popular Music 18 (3), 291-307, 1999 | 50 | 1999 |
| Sense and essence: Heritage and the cultural production of the real B Meyer, M Port Berghahn Books, 2022 | 45 | 2022 |
| Bruno Latour and the anthropology of the moderns D Berliner, L Legrain, M Van de Port Social Anthropology 21 (4), 435-447, 2013 | 39 | 2013 |
| Genuinely made up: camp, baroque, and other denaturalizing aesthetics in the cultural production of the real M Van de Port Journal of the Royal Anthropological Institute 18 (4), 864-883, 2012 | 33 | 2012 |
| Het einde van de wereld: beschaving, redeloosheid en zigeunercafes in Servie M Van de Port Babylon-De Geus, 1994 | 31 | 1994 |
| (Not) made by the human hand: media consciousness and immediacy in the cultural production of the real M Van De Port Social Anthropology/Anthropologie Sociale 19 (1), 74-89, 2011 | 29 | 2011 |
| Geliquideerd: criminele afrekeningen in Nederland M Van de Port Meulenhoff, 2001 | 29 | 2001 |
| Bahian white: the dispersion of candomblé imagery in the public sphere of Bahia M Van de Port Material Religion 3 (2), 242-274, 2007 | 23 | 2007 |
| In love with my footage: desirous undercurrents in the making of an essay film on Candomblé M Van de Port Visual Anthropology Review 34 (2), 136-146, 2018 | 21 | 2018 |
| van de (2001) M Port Geliquideerd; criminele afrekeningen in Nederland, 0 | 19 | |
| Bed and throne: The “Museumification” of the living quarters of a Candomblé priestess MP Adinolfi, M Van de Port Material Religion 9 (3), 282-303, 2013 | 17 | 2013 |
