Steffen A. Herff
Steffen A. Herff
DECRA Research Fellow
Bestätigte E-Mail-Adresse bei
Zitiert von
Zitiert von
The perceptual relevance of balance, evenness, and entropy in musical rhythms
AJ Milne, SA Herff
Cognition 203, 104233, 2020
Exploring the space of perfectly balanced rhythms and scales
AJ Milne, D Bulger, SA Herff
Journal of Mathematics and Music 11 (2-3), 101-133, 2017
Perfect balance: A novel principle for the construction of musical scales and meters
AJ Milne, D Bulger, SA Herff, WA Sethares
International Conference on Mathematics and Computation in Music, 97-108, 2015
Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition
SA Herff, KN Olsen, RT Dean
Quarterly Journal of Experimental Psychology 71 (5), 1150-1171, 2018
XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms.
AJ Milne, SA Herff, DW Bulger, WA Sethares, RT Dean
NIME, 388-393, 2016
Music influences vividness and content of imagined journeys in a directed visual imagery task
SA Herff, G Cecchetti, L Taruffi, K Déguernel
Scientific Reports 11 (1), 15990, 2021
Perceived emotions of harmonic cadences
EA Smit, FA Dobrowohl, NK Schaal, AJ Milne, SA Herff
Music & Science 3, 2059204320938635, 2020
Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items
SA Herff, KN Olsen, RT Dean, J Prince
Quarterly Journal of Experimental Psychology 71 (6), 1367-1381, 2018
Negotiating between individual and joint goals in ensemble musical performance
J MacRitchie, SA Herff, A Procopio, PE Keller
Quarterly Journal of Experimental Psychology 71 (7), 1535-1551, 2018
The role of divided attention and expertise in melody recognition
SA Herff, D Czernochowski
Musicae Scientiae 23 (1), 69-86, 2019
Prefrontal High Gamma in ECoG tags periodicity of musical rhythms in perception and imagination
SA Herff, C Herff, AJ Milne, GD Johnson, JJ Shih, DJ Krusienski
Eneuro 7 (4), 2020
Expertise-related differences in wrist muscle co-contraction in drummers
S Beveridge, SA Herff, B Buck, GB Madden, HC Jabusch
Frontiers in psychology 11, 1360, 2020
Interference in memory for pitch-only and rhythm-only sequences
SA Herff, KN Olsen, J Prince, RT Dean
Musicae Scientiae 22 (3), 344-361, 2018
Hierarchical syntactic structure predicts listeners’ sequence completion in music
SA Herff, D Harasim, G Cecchetti, C Finkensiep, MA Rohrmeier
Proceedings of the Cognitive Science Conference. Vol 43, 903-909, 2021
Age-dependent statistical learning trajectories reveal differences in information weighting.
SA Herff, S Zhen, R Yu, KR Agres
Psychology and Aging 35 (8), 1090, 2020
Perfect balance: A novel organizational principle for musical scales and meters
AJ Milne, D Bulger, SA Herff, WA Sethares
Mathematics and Computation in Music 9110, 97-108, 2015
Musical syntactic structure improves memory for melody: Evidence from the processing of ambiguous melodies
G Cecchetti, SA Herff, MA Rohrmeier
Proceedings of the Annual Meeting of the Cognitive Science Society 43 (CONF …, 2021
Investigating cumulative disruptive interference in memory for melodies, words, and pictures
SA Herff, KN Olsen, A Anic, NK Schaal
New Ideas in Psychology 55, 68-77, 2019
Interrater agreement in memory for melody as a measure of listeners’ similarity in music perception.
SA Herff, RT Dean, KN Olsen
Psychomusicology: Music, Mind, and Brain 27 (4), 297, 2017
The experience of musical structure as computation: What can we learn?
G Cecchetti, SA Herff, C Finkensiep, MA Rohrmeier
The experience of musical structure as computation: what can we learn?, 91-127, 2020
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