Klaus Frieler
Klaus Frieler
Max Planck Institute for Empirical Aesthetics, Frankfurt/M, Germany
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Zitiert von
Zitiert von
Cognitive adequacy in the measurement of melodic similarity: Algorithmic vs. human judgments
D Müllensiefen, K Frieler
Computing in Musicology 13 (2003), 147-176, 2004
What is the sound of citrus? Research on the correspondences between the perception of sound and flavor
K Bronner, K Frieler, H Bruhn, R Hirt, D Piper
Proceedings of the 12th International Conference of Music Perception and …, 2012
Absolute memory for pitch: A comparative replication of Levitin’s 1994 study in six European labs
K Frieler, T Fischinger, K Schlemmer, K Lothwesen, K Jakubowski, ...
Musicae Scientiae 17 (3), 334-349, 2013
Inside the jazzomat: new perspectives for jazz research
M Pfleiderer
Deutsche Nationalbibliothek, 2017
Optimizing measures of melodic similarity for the exploration of a large folk song database.
D Müllensiefen, K Frieler
ISMIR, 2004
Modelling experts’ notions of melodic similarity
D Müllensiefen, K Frieler
Musicae Scientiae 11 (1_suppl), 183-210, 2007
Intonation in unaccompanied singing: Accuracy, drift, and a model of reference pitch memory
M Mauch, K Frieler, S Dixon
The Journal of the Acoustical Society of America 136 (1), 401-411, 2014
Decoding emotions in expressive music performances: A multi-lab replication and extension study
J Akkermans, R Schapiro, D Müllensiefen, K Jakubowski, D Shanahan, ...
Cognition and Emotion 33 (6), 1099-1118, 2019
Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation
K Frieler, M Pfleiderer, WG Zaddach, J Abeßer
Musicae Scientiae 20 (2), 143-162, 2016
Measuring melodic similarity: Human vs. algorithmic judgments
D Müllensiefen, K Frieler
Proceedings of the Conference on Interdisciplinary Musicology (CIM04) Graz …, 2004
Replication in music psychology
K Frieler, D Müllensiefen, T Fischinger, K Schlemmer, K Jakubowski, ...
Musicae Scientiae 17 (3), 265-276, 2013
Influence of virtual room acoustics on choir singing.
T Fischinger, K Frieler, J Louhivuori
Psychomusicology: Music, Mind, and Brain 25 (3), 208, 2015
Beat and meter extraction using gaussified onsets.
K Frieler
ISMIR, 2004
Is independent creation likely to happen in pop music?
K Frieler, F Riedemann
Musicae Scientiae 15 (1), 17-28, 2011
Challenges and opportunities of predicting musical emotions with perceptual and automatized features
EB Lange, K Frieler
Music Perception: An Interdisciplinary Journal 36 (2), 217-242, 2018
The Jazzomat project. Issues and methods for the automatic analysis of jazz improvisations
M Pfleiderer, K Frieler
Concepts, experiments, and fieldwork: Studies in systematic musicology and …, 2010
Inside the Jazzomat
M Pfleiderer, K Frieler, J Abeßer, WG Zaddach, B Burkhart
New Perspectives for Jazz Research, 2017
Score-informed analysis of tuning, intonation, pitch modulation, and dynamics in jazz solos
J Abeßer, K Frieler, E Cano, M Pfleiderer, WG Zaddach
IEEE/ACM Transactions on Audio, Speech, and Language Processing 25 (1), 168-177, 2016
The perception of accents in pop music melodies
D Müllensiefen, M Pfleiderer, K Frieler
Journal of New Music Research 38 (1), 19-44, 2009
Two Web Applications for Exploring Melodic Patterns in Jazz Solos.
K Frieler, F Höger, M Pfleiderer, S Dixon
ISMIR, 777-783, 2018
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