Helmut Leder
Helmut Leder
Universität WIen
Bestätigte E-Mail-Adresse bei univie.ac.at
Titel
Zitiert von
Zitiert von
Jahr
A model of aesthetic appreciation and aesthetic judgments
H Leder, B Belke, A Oeberst, D Augustin
British journal of psychology 95 (4), 489-508, 2004
18232004
When inverted faces are recognized: The role of configural information in face recognition
H Leder, V Bruce
The quarterly journal of experimental psychology Section A 53 (2), 513-536, 2000
6652000
Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode–Developments and challenges in empirical aesthetics
H Leder, M Nadal
British Journal of Psychology 105 (4), 443-464, 2014
3882014
Entitling art: Influence of title information on understanding and appreciation of paintings
H Leder, CC Carbon, AL Ripsas
Acta psychologica 121 (2), 176-198, 2006
3002006
Product aesthetics
P Hekkert, H Leder
Product experience, 259-285, 2008
2622008
Local and relational aspects of face distinctiveness
HLV Bruce
The Quarterly Journal of Experimental Psychology: Section A 51 (3), 449-473, 1998
2601998
Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture
O Vartanian, G Navarrete, A Chatterjee, LB Fich, H Leder, C Modroño, ...
Proceedings of the National Academy of Sciences 110 (Supplement 2), 10446-10453, 2013
2482013
Move me, astonish me… delight my eyes and brain: The Vienna integrated model of top-down and bottom-up processes in art perception (VIMAP) and corresponding affective …
M Pelowski, PS Markey, M Forster, G Gerger, H Leder
Physics of Life Reviews 21, 80-125, 2017
2272017
How art is appreciated.
H Leder, G Gerger, SG Dressler, A Schabmann
Psychology of Aesthetics, Creativity, and the Arts 6 (1), 2, 2012
2222012
Art in time and space: Context modulates the relation between art experience and viewing time
D Brieber, M Nadal, H Leder, R Rosenberg
PloS one 9 (6), e99019, 2014
2172014
Configural features in the context of upright and inverted faces
H Leder, G Candrian, O Huber, V Bruce
Perception 30 (1), 73-83, 2001
2112001
Just how stable are stable aesthetic features? Symmetry, complexity, and the jaws of massive familiarization
PPL Tinio, H Leder
Acta psychologica 130 (3), 241-250, 2009
2022009
Neuroaesthetics: The cognitive neuroscience of aesthetic experience
MT Pearce, DW Zaidel, O Vartanian, M Skov, H Leder, A Chatterjee, ...
Perspectives on psychological science 11 (2), 265-279, 2016
1952016
Dimensions in appreciation of car interior design
H Leder, CC Carbon
Applied Cognitive Psychology: The Official Journal of the Society for …, 2005
1792005
What makes an art expert? Emotion and evaluation in art appreciation
H Leder, G Gerger, D Brieber, N Schwarz
Cognition and Emotion 28 (6), 1137-1147, 2014
1742014
Art expertise: A study of concepts and conceptual spaces
D Augustin, H Leder
Psychology Science 48 (2), 135, 2006
1742006
The repeated evaluation technique (RET). A method to capture dynamic effects of innovativeness and attractiveness
CC Carbon, H Leder
Applied Cognitive Psychology: The Official Journal of the Society for …, 2005
1692005
Cognitive fluency: High-level processing dynamics in art appreciation.
B Belke, H Leder, T Strobach, CC Carbon
Psychology of Aesthetics, Creativity, and the Arts 4 (4), 214, 2010
1612010
Visualizing the impact of art: An update and comparison of current psychological models of art experience
M Pelowski, PS Markey, JO Lauring, H Leder
Frontiers in human neuroscience 10, 160, 2016
1562016
Face‐specific configural processing of relational information
H Leder, CC Carbon
British Journal of Psychology 97 (1), 19-29, 2006
1532006
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