Linda Barwick
Linda Barwick
Emeritus Professor, Sydney Conservatorium of Music, University of Sydney
Verified email at - Homepage
Cited by
Cited by
Creative (ir) regularities: The intermeshing of text and melody in performance of Central Australian song
L Barwick
Australian Aboriginal Studies, 12-28, 1989
Endangered songs and endangered languages.
A Marett, L Barwick
Maintaining the links: language, identity and the land, 144-151, 2003
Iwaidja Jurtbirrk songs: Bringing language and music together
L Barwick, B Birch, N Evans
Australian Aboriginal Studies, 6-34, 2007
Turning it all upside down... Imagining a distributed digital audiovisual archive
L Barwick
Literary and Linguistic Computing 19 (3), 253-263, 2004
Musical syntax and the problem of meaning in a Central Australian songline
CJ Ellis, LM Barwick
Musicology Australia 10 (1), 41-57, 1987
For the sake of a song: Wangga songmen and their repertories
A Marett, L Barwick, L Ford
Sydney University Press, 2013
Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs
L Barwick
Australasian Music Research, 67-83, 2002
Fables and endless genealogies: Soap opera and women's culture
ME Brown, L Barwick
Continuum: Journal of Media & Cultural Studies 1 (2), 71-82, 1988
Musical Form and Style in Murriny Patha Song at Wadeye
L Barwick
Analytical and cross-cultural studies in world music, 316-354, 2011
Sustaining Women's Yawulyu/Awelye: Some Practitioners' and Learners' Perspectives
L Barwick, M Laughren, M Turpin
Musicology Australia 35 (2), 191-220, 2013
Keeping records of language diversity in Melanesia: the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)
L Barwick, N Thieberger
Melanesian languages on the edge of Asia: challenges for the 21st century …, 2012
A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation.
L Barwick
Language Documentation and Description, 53-62, 2006
Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT
L Barwick, A Marett, M Walsh, N Reid, L Ford
Literary and Linguistic Computing 20 (4), 383-397, 2005
Performance, aesthetics, experience: Thoughts on Yawulyu Mungamunga songs
L Barwick
Aesthetics and experience in music performance, 1-18, 2005
Song as an Indigenous art
L Barwick
Oxford companion to Aboriginal art and culture, 328-335, 2000
The essence of singing and the substance of song: Recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis
L Barwick, A Marett, G Tunstill
Oceania Publications, 1995
Marri Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs in Performance
L Barwick
Musicology Australia 28 (1), 1-25, 2005
Cybraries in paradise: new technologies and ethnographic repositories
L Barwick, N Thieberger
Libr@ries: Changing information space and practice, 133-49, 2006
Central Australian women's ritual music: Knowing through analysis versus knowing through performance
L Barwick
Yearbook for Traditional Music 22, 60-79, 1990
Central Australian Aboriginal songs and biocultural knowledge: evidence from women's ceremonies relating to edible seeds
G Curran, L Barwick, M Turpin, F Walsh, M Laughren
Journal of Ethnobiology 39 (3), 354-370, 2019
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