| Networks, cultural capital and creative labour in the British independent television industry D Lee Media, Culture & Society 33 (4), 549-565, 2011 | 190 | 2011 |
| Were New Labour’s cultural policies neo-liberal? D Hesmondhalgh, M Nisbett, K Oakley, D Lee International journal of cultural policy 21 (1), 97-114, 2015 | 187 | 2015 |
| Culture, economy and politics: The case of New Labour D Hesmondhalgh, K Oakley, D Lee, M Nisbett Springer, 2015 | 183 | 2015 |
| ‘The public gets what the public wants’? The uses and abuses of ‘public value’in contemporary British cultural policy DJ Lee, K Oakley, R Naylor International Journal of Cultural Policy 17 (3), 289-300, 2011 | 92 | 2011 |
| The ethics of insecurity: Risk, individualization and value in British independent television production D Lee Television & New Media 13 (6), 480-497, 2012 | 64 | 2012 |
| Advancing media production research: Shifting sites, methods, and politics C Paterson, D Lee, A Saha, A Zoellner Springer, 2016 | 60 | 2016 |
| Giving them what they want: the construction of the public in ‘public value’ K Oakley, R Naylor, D Lee Media and Social Change”, conference organised by the ESRC Centre for …, 2006 | 52 | 2006 |
| Framing the consumer: Copyright regulation and the public L Edwards, B Klein, D Lee, G Moss, F Philip Convergence 19 (1), 9-24, 2013 | 49 | 2013 |
| Independent television production in the UK: From cottage industry to big business D Lee Springer, 2018 | 43 | 2018 |
| Discourse, justification and critique: towards a legitimate digital copyright regime? L Edwards, B Klein, D Lee, G Moss, F Philip International Journal of Cultural Policy 21 (1), 60-77, 2015 | 40 | 2015 |
| Production research: Continuity and transformation C Paterson, D Lee, A Saha, A Zoellner Advancing media production research: Shifting sites, methods, and politics, 3-19, 2016 | 37 | 2016 |
| Happy Now? Well-being and cultural policy K Oakley, D O'Brien, D Lee Philosophy and Public Policy Quarterly 31 (2), 18-26, 2013 | 37 | 2013 |
| Creative Labour in the Cultural Industries D Lee Sociopedia.isa, 2013 | 34 | 2013 |
| Creating growth: how the UK can develop world-class creative businesses NESTA http://www.nesta.org.uk/sites/default/files/creating_growth.pdf, 2006 | 34 | 2006 |
| Creative networks and social capital D Ashton, C Noonan, D Lee Cultural work and higher education, 195-213, 2013 | 33 | 2013 |
| Mapping cultural assets and evaluating significance: Theory, methodology and practice D Lee, A Gilmore Cultural Trends 21 (1), 3-28, 2012 | 33 | 2012 |
| Regional creative industries policy-making under New Labour D Lee, D Hesmondhalgh, K Oakley, M Nisbett Cultural trends 23 (4), 217-231, 2014 | 27 | 2014 |
| Precarious creativity: Changing attitudes towards craft and creativity in the British independent television production sector D Lee Creative Industries Journal 4 (2), 155-170, 2012 | 27 | 2012 |
| ‘Isn’t it just a way to protect Walt Disney’s rights?’: Media user perspectives on copyright L Edwards, B Klein, D Lee, G Moss, F Philip New Media & Society 17 (5), 691-707, 2015 | 21 | 2015 |
| The national trust for talent? NESTA and New Labour’s cultural policy K Oakley, D Hesmondhalgh, D Lee, M Nisbett British Politics 9, 297-317, 2014 | 20 | 2014 |
kate oakleyUniversity of LeedsBestätigte E-Mail-Adresse bei leeds.ac.uk
