Emmanuel Deruty
Emmanuel Deruty
Music team manager, Sony CSL Paris
Bestätigte E-Mail-Adresse bei - Startseite
Zitiert von
Zitiert von
Machine learning research that matters for music creation: A case study
BL Sturm, O Ben-Tal, Ú Monaghan, N Collins, D Herremans, E Chew, ...
Journal of New Music Research 48 (1), 36-55, 2019
Semiotic structure labeling of music pieces: Concepts, methods and annotation conventions
F Bimbot, E Deruty, G Sargent, E Vincent
13th International Society for Music Information Retrieval Conference (ISMIR), 2012
Is music structure annotation multi-dimensional? A proposal for robust local music annotation
G Peeters, E Deruty
Proc. of 3rd Workshop on Learning the Semantics of Audio Signals, 75-90, 2009
About dynamic processing in mainstream music
E Deruty, D Tardieu
Journal of the Audio Engineering Society 62 (1/2), 42-55, 2014
Sound indexing using morphological description
G Peeters, E Deruty
IEEE Transactions on audio, speech, and language processing 18 (3), 675-687, 2010
Dynamic range’and the loudness war
E Deruty
Sound on Sound–September 2011, 22-24, 2011
Automatic morphological description of sounds
GG Peeters, E Deruty
Journal of the Acoustical Society of America 123 (5), 3801, 2008
System & contrast: a polymorphous model of the inner organization of structural segments within music pieces
F Bimbot, E Deruty, G Sargent, E Vincent
Music Perception: An Interdisciplinary Journal 33 (5), 631-661, 2016
Methodology and resources for the structural segmentation of music pieces into autonomous and comparable blocks
F Bimbot, E Deruty, G Sargent, E Vincent
Semiotic description of music structure: An introduction to the Quaero/Metiss structural annotations
F Bimbot, G Sargent, E Deruty, C Guichaoua, E Vincent
AES 53rd International Conference on Semantic Audio, P1-1, 2014
Human–made rock mixes feature tight relations between spectrum and loudness
E Deruty, F Pachet, P Roy
Journal of the Audio Engineering Society 62 (10), 643-653, 2014
Goal-oriented mixing
E Deruty
Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016
Perceptive study and recommendation for sonification categories
P Susini, P Gaudibert, E Deruty, L Dandrel
Georgia Institute of Technology, 2003
Methodological and musicological investigation of the System & Contrast model for musical form description
E Deruty, F Bimbot, B Van Wymeersch
INRIA, 2013
The MIR perspective on the evolution of dynamics in mainstream music
E Deruty, F Pachet
Proceedings of the 16th ISMIR Conference 723, 2015
Production effect: audio features for recording techniques description and decade prediction
D Tardieu, E Deruty, C Charbuillet, G Peeters
Int. Conference on Digital Audio Effects (DAFx-11), 1-1, 2011
Sound navigation: Sonified hyperlinks
P Susini, S Vieillard, E Deruty, B Smith, C Marin
Georgia Institute of Technology, 2002
Methodology and conventions for the latent semiotic annotation of music structure
F Bimbot, E Deruty, G Sargent, E Vincent
Bassnet: A variational gated autoencoder for conditional generation of bass guitar tracks with learned interactive control
M Grachten, S Lattner, E Deruty
Applied Sciences 10 (18), 6627, 2020
Toward music structure annotation
G Peeters, E Deruty
Proceedings of the 10th International Society for Music Information …, 2009
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