| Visual worlds: Looking, images, visual disciplines J Elkins, E Fiorentini (No Title), 2021 | 24 | 2021 |
| Camera Obscura vs. Camera Lucida–Distinguishing Early Nineteenth Century Modes of Seeing E Fiorentini Max-Planck-Institut für Wissenschaftsgeschichte, 2006 | 19 | 2006 |
| Inducing visibilities: An attempt at Santiago Ramón y Cajal’s aesthetic epistemology E Fiorentini Studies in History and Philosophy of Science Part C: Studies in History and …, 2011 | 16 | 2011 |
| Subjective Objective. The Camera Lucida and Protomodern Observers E Fiorentini na, 2004 | 15 | 2004 |
| Instrument des Urteils. Zeichnen mit der camera lucida als Komposit E Fiorentini Max-Planck-Institut für Wissenschaftsgeschichte, 2005 | 10 | 2005 |
| Induction of visibility: Reflections on histological slides, drawing visual hypotheses and aesthetic-epistemic actions E Fiorentini History and philosophy of the life sciences, 379-394, 2013 | 9 | 2013 |
| Optical instruments and modes of vision in early nineteenth century E Fiorentini Verfeinertes Sehen: Optik und Farbe im 18. und frühen 19. Jahrhundert, 201-221, 2008 | 8 | 2008 |
| Baccio Bandinelli's Self-portrait E Fiorentini, R Rosenberg Print Quarterly 19 (1), 34-44, 2002 | 8 | 2002 |
| Ikonographie eines Wandels E Fiorentini Form und Intention von Selbstbildnis und Porträt des Bildhauers im Italien …, 0 | 8 | |
| Scambio di Vedute: lo sguardo sulla natura e la camera lucida tra i paesaggisti internazionali a Roma intorno al 1820 E Fiorentini Scambio di Vedute: lo sguardo sulla natura e la camera lucida tra i …, 2006 | 7 | 2006 |
| Aesthetic-Epistemic Actions: A Proposition on Slides, Drawings and the Induction of Visibility E Fiorentini Ilana Löwy (Hg.): Microscopic Slides. Investigating a neglected historical …, 2011 | 6 | 2011 |
| Placing Oneself at an Adequate Point of View. Santiago Ramón y Cajal’s Drawings and the Histological Look E Fiorentini Graphing Genes, Cells, and Embryos. Cultures of Seeing 3D and Beyond, Berlin …, 2009 | 6 | 2009 |
| Identità artistica nella retorica del mezzo espressivo: Vittoria, Campagna e altri scultori ritratti da pittori e il ruolo del bozzetto nel Veneto E Fiorentini Ritratto nell'Europa del Cinquecento: atti del convegno, Firenze, 7-8 …, 2007 | 6 | 2007 |
| Ein Zwei-Methoden-Ansatz zur Herkunftsbestimmung. Analyse der Sauerstoff-und Kohlenstoffisotopengehalte und Kathodoluminiszenzuntersuchungen der Marmore aus Mahdia E Fiorentini, S Hoernes Das Wrack: der antike Schiffsfund von Mahdia, 1091-1104, 1994 | 6 | 1994 |
| Visual worlds J Elkins, E Fiorentini Oxford Univ. Press, 2016 | 5 | 2016 |
| Observing Nature—Representing Experience: The Osmotic Dynamics of Romanticism, 1800–1850 C Bigg, E Fiorentini | 5 | 2007 |
| Practices of refined observation: the conciliation of experience and judgement in John Herschel's discourse and in his drawings E Fiorentini Observing nature-representing experience: the osmotic dynamics of …, 2007 | 5 | 2007 |
| Camera Obscura vs E Fiorentini Camera Lucida–Distinguishing Early Nineteenth Century Modes of Seeing, Berlin, 2006 | 5 | 2006 |
| Nuovi punti di vista. Giacinto Gigante e la Camera Lucida a Napoli E Fiorentini Pittura italiana nell’Ottocento, 535-557, 2005 | 5 | 2005 |
| Raumsehen-Ortszeichnen: Wirklichkeit und Erlebnis im frühen 19. Jahrhundert E Fiorentini Räume der Zeichnung, 103-112, 2007 | 4 | 2007 |
James ElkinsSchool of the Art Institute ChicagoBestätigte E-Mail-Adresse bei saic.edu
