| Postmodern impegno: ethics and commitment in contemporary Italian culture P Antonello, F Mussgnug Peter Lang Pub Inc, 2009 | 102* | 2009 |
| The Personal and the Political: The Cinema of Nanni Moretti R Barotsi, P Antonello Postmodern Impegno: Ethics and Commitment in Contemporary Italian Culture …, 2009 | 10 | 2009 |
| Whose crisis? Dogtooth and the invisible middle class R Barotsi Journal of Greek Media & Culture 2 (2), 173-186, 2016 | 8 | 2016 |
| Contemporary European cinema, time, and the everyday R Barotsi University of Cambridge, 2014 | 4 | 2014 |
| Introduction. On Method Building: A Half-Century of Research on Gender and Labour in the Italian Audiovisual Industries R Barotsi, D Gloria, CM Keating COMUNICAZIONI SOCIALI ON-LINE, 3-12, 2023 | 2 | 2023 |
| TROUBLING THE ARCHIVAL TRACE: THE PECULIAR CASE OF THE MONDO DIRECTOR WHO NEVER WAS R Barotsi Cine-excess, 2023 | 1 | 2023 |
| A Pile of Bricks? Pedro Costa’s Colossal Youth (2006), Labour, and the Space of the Museum R Barotsi Proceedings of the 34th CIHA World Congress of Art History, Beijing 2016 1 …, 2020 | 1 | 2020 |
| Gender Medicine Makes a Difference: On the CNR’s Declaration on Gender Medicine and Clinical Trials R Barotsi FUTURE OF SCIENCE AND ETHICS, 88-91, 2019 | 1 | 2019 |
| The daughter as crisis/Daughters of the crisis: Women and contemporary Greek visual media R Barotsi HETEROPOLITICS INTERNATIONAL WORKSHOP PROCEEDINGS: Refiguring the Common and …, 2018 | 1 | 2018 |
| Screening Gender Medicine: Health and the Gendered Body in Recent US-Based Medical Dramas and Dramedies R Barotsi, C Nicastro, RM Zagarella Investigating Medical Drama TV Series: Approaches and Perspectives. 14th …, 2023 | | 2023 |
| Constructing an Open, Participatory Database on Gender (In) Equality in the Italian Film Industry: Methodological Challenges R Barotsi, M Fanchi, M Tarantino AUDIOVISUAL DATA. DATA-DRIVEN PERSPECTIVES FOR MEDIA STUDIES, 87-104, 2023 | | 2023 |
| Gender and Labour in the Italian Audiovisual Industries: Critical Research Approaches and Methods R Barotsi, G Dagnino, CM Keating COMUNICAZIONI SOCIALI ON-LINE, 2023 | | 2023 |
| Heaven Can Wait? Gender (Im) Balance in Contemporary Italian Film Crews F Mariagrazia, T Matteo, R Barotsi COMUNICAZIONI SOCIALI ON-LINE, 98-113, 2023 | | 2023 |
| Not Yet R Barotsi Christoph FE Holzhey is the Founding Director of the ICI Berlin Institute …, 2022 | | 2022 |
| 4. Spectral Robots: Disembodiment and the Border in Alex Rivera’s Sleep Dealer (2009) and Mati Diop’s Atlantics (2019) R Barotsi Artificial lives, 2022 | | 2022 |
| From self-fulfilment to survival of the fittest: work in European cinema from the 1960s to the present: by Ewa Mazierska, Oxford, Berghahn Books, 2015, 303 pp.,£ 60.00 (hbk … R Barotsi Studies in European Cinema 18 (1), 86-88, 2021 | | 2021 |
| Who Sustains the Flourishing of the World? Film, Women's Work & Labour Organizing S Akhtar, R Barotsi, C Nicastro minor cosmopolitan: Thinking Art, Politics, and the Universe Together …, 2020 | | 2020 |
| Pete Nicks The Waiting Room: Das Warten filmen R Barotsi Die Kunst des Wartens, 59-65, 2019 | | 2019 |
| Park (2016) by Sofia Exarchou R Barotsi FILMICON, 104-109, 2018 | | 2018 |
| 一堆砖块? 佩德罗· 科斯塔的《 回首向来萧瑟处》(2006), 劳动与美术馆空间 R Barotsi XIN MEISHU 39 (2), 31-38, 2018 | | 2018 |
Pierpaolo AntonelloProfessor of Modern Italian Literature and Culture, University of CambridgeBestätigte E-Mail-Adresse bei cam.ac.uk
