| “The Expressive Organ within Us” Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves C Raz 19th-Century Music 38 (2), 115-144, 2014 | 35 | 2014 |
| “Anne Young’s Musical Games (1801): Music Theory, Gender, and Game Design,” C Raz SMT-V: Videocast Journal of the Society for Music Theory 4 (2), 2018 | 9 | 2018 |
| Wagnerpunk:: A Steampunk Reading of Patrice Chéreau’s Staging of Der Ring des Nibelungen (1876) C Raz Neo-Victorian Studies 4 (2), 91-107, 2011 | 7 | 2011 |
| An Eighteenth-Century Theory of Musical Cognition? John Holden’s Essay towards a Rational System of Music (1770) C Raz Journal of Music Theory 62 (2), 205-248, 2018 | 6 | 2018 |
| The Lost Movements of Ernst Toch’s Gesprochene Musik CA Raz | 6 | 2014 |
| Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory C Raz SMT-V: The Society for Music Theory Videocast Journal, 2018 | 5 | 2018 |
| Reverberating Nerves: Physiology, Perception, and Early Romantic Auditory Cultures CA Raz Yale University, 2015 | 5 | 2015 |
| From Trinidad to Cyberspace: Reconsidering Ernst Toch’s “Geographical Fugue” C Raz ZGMTH Zeitschrift der Gesellschaft für Musiktheorie, 227, 2014 | 5* | 2014 |
| Operatic fantasies in early nineteenth-century psychiatry C Raz Cambridge University Press, 2019 | 4 | 2019 |
| Colloquy: Attention, Anxiety, and Audition's Histories F Brittan, C Raz, N Mathew, A Kieffer, B Steege Journal of the American Musicological Society 72 (2), 541-580, 2019 | 4 | 2019 |
| Music, theater, and the moral treatment: the Casa dei Matti in Aversa and Palermo C Raz Laboratoire italien. Politique et société, 2017 | 4 | 2017 |
| Hector Berlioz’s Neurophysiological Imagination C Raz Journal of the American Musicological Society 75 (1), 1-37, 2022 | 3 | 2022 |
| To “fill up, completely, the whole capacity of the mind”: listening with attention in late eighteenth-century Scotland C Raz Music Theory Spectrum 44 (1), 141-154, 2022 | 3 | 2022 |
| How the sheng became a harp C Raz Sound Studies 6 (2), 239-256, 2020 | 3 | 2020 |
| Musical Glasses, Metal Reeds and Broken Hearts: Two Cases of Melancholia Treated by New Musical Instruments C Raz, S Finger The Routledge companion to music, mind, and well-being, 77-92, 2018 | 3 | 2018 |
| Tafillalt’s ‘Soulmate’and the Israeli Piyyut Revival C Raz Musical Exodus: Al-Andalus and Its Jewish Diasporas, Lanham: Rowman …, 2015 | 3 | 2015 |
| The Kinetic Universe Of Philippe Leroux's De La Texture (2007): Drum Rudiments, Waveform Profiles, And Process Polyphony C Raz Music Theory And Analysis (MTA) 8 (2), 327-340, 2021 | 2 | 2021 |
| Séances,“Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism C Raz The Journal of Musicology 38 (2), 230-259, 2021 | 2 | 2021 |
| Talking to the Hand: The “Hysterical Epistemology” of the Migrating Sensorium C Raz Journal of the American Musicological Society 72, 552-57, 2019 | 2 | 2019 |
| Sound and sense in British Romanticism J Grande, C Raz Cambridge University Press, 2023 | | 2023 |
Dr James GrandeLecturer in Eighteenth-Century Literature and Culture, King's College LondonVerified email at kcl.ac.uk
