| Musical Interface Design: An Experience-oriented Framework F Morreale, A De Angeli, S O’Modhrain New Interfaces for Musical Expression, 2014 | 37 | 2014 |
| Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, A McPherson New Interfaces for Musical Expression, 2017 | 35 | 2017 |
| Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 31 | 2017 |
| Collaborative creativity: The music room F Morreale, A De Angeli, R Masu, P Rota, N Conci Personal and Ubiquitous Computing 18 (5), 1187-1199, 2014 | 29 | 2014 |
| Robin: an algorithmic composer for interactive scenarios F Morreale, R Masu, A De Angeli Proceedings of SMC 2013, 10th, 2013 | 23 | 2013 |
| NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley New Interfaces for Musical Expression, 2018 | 17 | 2018 |
| Musical instruments for novices: comparing NIME, HCI and Crowdfunding approaches A McPherson, F Morreale, J Harrison New Directions in Music and Human-Computer Interaction, 179-212, 2019 | 16 | 2019 |
| A quality adaptive multimodal affect recognition system for user-centric multimedia indexing R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ... Proceedings of the 2016 ACM on international conference on multimedia …, 2016 | 16 | 2016 |
| The effect of expertise in evaluating emotions in music F Morreale, R Masu, A De Angeli, P Fava The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013 | 15 | 2013 |
| Evaluating visitor experiences with interactive art F Morreale, A De Angeli Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 50-57, 2015 | 14 | 2015 |
| Auditory recognition of floor surfaces by temporal and spectral cues of walking F Fontana, F Morreale, T Regia-Corte, A Lécuyer, M Marchal International Community for Auditory Display, 2011 | 14 | 2011 |
| Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson New Interfaces for Musical Expression, 2018 | 13 | 2018 |
| In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance SMA Bin, F Morreale, N Bryan-Kinns, AP McPherson IFIP Conference on Human-Computer Interaction, 263-281, 2017 | 12 | 2017 |
| Collaborating with an autonomous agent to generate affective music F Morreale, A De Angeli Computers in Entertainment (CIE) 14 (3), 1-21, 2016 | 11 | 2016 |
| Sound forest/ljudskogen: A large-scale string-based interactive musical instrument R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale Sound and Music Computing 2016, 79-84, 2016 | 8 | 2016 |
| Robinflock: a Polyphonic Algorithmic Composer for Interactive Scenarios with Children R Masu, A Conci, C Core, A De Angeli, F Morreale 14th Sound and Music Computing SMC, 125-132, 2017 | 7 | 2017 |
| When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. J Harrison, RH Jack, F Morreale, AP McPherson NIME, 299-304, 2018 | 6 | 2018 |
| The music room F Morreale, R Masu, A De Angeli, P Rota CHI'13 Extended Abstracts on Human Factors in Computing Systems, 3099-3102, 2013 | 6 | 2013 |
| Magpick: an augmented guitar pick for nuanced control F Morreale, A Guidi, A McPherson New Interfaces for Musical Expression, 2019 | 5 | 2019 |
| " The finer the musician, the smaller the details": NIMEcraft under the microscope J Armitage, F Morreale, A McPherson New Instruments for Musical Expression, 2017 | 5 | 2017 |
Antonella De AngeliUniversity of Bolzano ItalyVerified email at unitn.it
