| Twitter free Iran: An evaluation of Twitter's role in public diplomacy and information operations in Iran's 2009 election crisis A Burns, B Eltham Communications Policy and Research Forum, 19-20 November 2009, Sydney, Australia, 2009 | 276 | 2009 |
| Creativity in crisis: Rebooting Australia’s arts and entertainment sector after COVID A Pennington, B Eltham Centre for Future Work, 2021 | 36 | 2021 |
| When the Goal Posts Move: Patronage, power and resistance in Australian cultural policy 2013-2016 B Eltham Currency House, 2016 | 29 | 2016 |
| Australia's Strategic Culture: Constraints and Opportunities in Security Policymaking A Burns, B Eltham Strategic Cultures and Security Policies in the Asia-Pacific, 22-45, 2016 | 26 | 2016 |
| Three arguments against ‘soft innovation’: towards a richer understanding of cultural innovation B Eltham International Journal of Cultural Policy 19 (5), 537-556, 2013 | 25 | 2013 |
| Australian cultural and innovation policies: Never the twain shall meet? B Eltham Innovation 11 (2), 230-239, 2009 | 23 | 2009 |
| ‘Catastrophic Failure’Theories and Disaster Journalism: Evaluating Media Explanations of the Black Saturday Bushfires A Burns, B Eltham Media International Australia 137 (1), 90-99, 2010 | 22 | 2010 |
| Twitter free Iran: An evaluation of Twitter’s role in public diplomacy and information operations in Iran’s 2009 election crisis A Bruns, B Eltham Communication Policy & Research Forum 2009, 2009 | 17 | 2009 |
| Boom and Bust in Australian Screen Policy: 10BA, the Film Finance Corporation and Hollywood's ‘Race to the Bottom’ A Burns, B Eltham Media International Australia 136 (1), 103-118, 2010 | 16 | 2010 |
| Cultural policy in Australia B Eltham, M Westbury Deakin University, 2010 | 13 | 2010 |
| A ‘natural experiment’in Australian cultural policy: Australian Government funding cuts disproportionately affect companies that produce more new work and have larger audiences B Eltham, D Verhoeven International Journal of Cultural Policy 26 (1), 81-94, 2020 | 11 | 2020 |
| Philosophy vs evidence is no way to orchestrate cultural policy B Eltham, D Verhoeven The Conversation 29, 2015 | 10* | 2015 |
| The Curious Significance of triple j B Eltham Meanjin 68 (3), 52-58, 2009 | 10 | 2009 |
| The state of Australia's performing arts centres, and what it tells us about the state of the Australian arts B Eltham Meanjin 71 (3), 92-101, 2012 | 7 | 2012 |
| Twitter Free Iran: An Evaluation of Twitter’s Role in Public Diplomacy and Information Operations in Iran’s 2009 Election Crisis’, Record of the Communications Policy … A Burns, B Eltham For one round-up that links to other discussions regarding the potential of …, 2009 | 7 | 2009 |
| Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks D Verhoeven, PS Moore, A Coles, B Coate, V Zemaityte, K Musial, ... NECSUS_European Journal of Media Studies 9 (2), 273-298, 2020 | 6 | 2020 |
| The excellence criterion B Eltham Overland, 3-10, 2015 | 6 | 2015 |
| Culture is bigger than the arts:[On the need for a progressive arts policy.] B Eltham Overland, 79-85, 2010 | 6 | 2010 |
| Doubling university fees for the arts will leave Australia less equipped for our complex world B Eltham | 5 | 2020 |
| We are witnessing a cultural bloodbath in Australia that has been years in the making B Eltham | 5 | 2020 |
Alex BurnsTeaching Associate (Monash University) & Senior Research Officer (University of Melbourne)Bestätigte E-Mail-Adresse bei monash.edu
