| Chunity: Integrated Audiovisual Programming in Unity J Atherton, G Wang Proceedings of the International Conference on New Interfaces for Musical …, 2018 | 45 | 2018 |
| Doing vs. Being: A philosophy of design for artful VR J Atherton, G Wang Journal of New Music Research 49 (1), 35-59, 2020 | 40 | 2020 |
| Sonification Blocks: A Block-Based Programming Environment For Embodied Data Sonification J Atherton, P Blikstein Proceedings of the 2017 Conference on Interaction Design and Children, 733-736, 2017 | 16 | 2017 |
| I Said it First: Topological Analysis of Lyrical Influence Networks. J Atherton, B Kaneshiro ISMIR, 654-660, 2016 | 15 | 2016 |
| Curating Perspectives: Incorporating Virtual Reality into Laptop Orchestra Performance J Atherton, G Wang New Interfaces for Musical Expression, 2020 | 9 | 2020 |
| Webchuck: Computer music programming on the web MR Mulshine, G Wang, J Atherton, C Chafe, T Feng, C Betancur New Interfaces for Musical Expression, 2023 | 4 | 2023 |
| Artful Design for Positive Design: A Case Study in VR J Atherton Design Research Society Conference, 2020 | 3 | 2020 |
| What would a Webchuck Chuck? C Chafe, G Wang, M Mulshine, J Atherton The Journal of the Acoustical Society of America 153 (3), 2023 | 2 | 2023 |
| Melodic Fission in Trance Music: The Perception of Interleaved Vocal and Non-Vocal Melodies LJ Atherton Berkeley Undergraduate Journal 26 (1), 2013 | | 2013 |
Ge WangAssociate Professor of Music (also Computer Science), Stanford UniversityBestätigte E-Mail-Adresse bei ccrma.stanford.edu
