| A new chemistry of sound: The technique of multiphonics as a compositional element for guitar and amplified guitar R Torres | 7 | 2015 |
| Multiphonics as a Compositional Element in Writing for Amplified Guitar (2) R Torres, P Ferreira-Lopes Journal of Science and Technology of the Arts 4 (1), 61-69, 2012 | 7 | 2012 |
| Multiphonics as a Compositional Element in Writing for Amplified Guitar (1) [Rev.] R Torres, P Ferreira-Lopes Emille 10, 55-65, 2012 | 4* | 2012 |
| Si amanece, nos vamos R Torres Karlsruhe: the composer, 2015a. Score, 2015 | 3 | 2015 |
| Towards overcoming the guitar's color research gap R Torres, P Ferreira-Lopes Revista Vórtex 2 (1), 16-36, 2014 | 3 | 2014 |
| Guitar multiphonics: Notations for a formalized approach R Torres, P Ferreira-Lopes VII Simpósio Académico de Violão, 263-281, 2013 | 3 | 2013 |
| The Presence of a Mysterious Black Silhouette: From a Print to a New Form of Usage of Guitar Multiphonics R Torres Leonardo Music Journal 30, 73-78, 2020 | 2 | 2020 |
| Guitar multiphonics: Influence of amplification R Torres, P Ferreira-Lopes 9th Conference on Interdisciplinary Musicology – CIM14, 276-279, 2014 | 2 | 2014 |
| The sound world of guitar multiphonics R Torres, P Ferreira-Lopes Music and sonic art: Theories and practices, 78-94, 2018 | 1* | 2018 |
| Processos criativos em composição musical: Fontes de inspiração sob autoescrutínio R Torres Revista Vórtex 11 (1), 1–14, 2023 | | 2023 |
| Si amanece, nos vamos for solo guitar: Using multiphonics in a new way R Torres Revista Vórtex 8 (3), 2020 | | 2020 |
| The Presence of a Mysterious Black Silhouette RT ToRReS | | 2020 |
| CHAPTER FIVE THE SOUND WORLD OF GUITAR MULTIPHONICS RITA TORRES AND PAULO FERREIRA-LOPES R TORRES Music and Sonic Art: Theories and Practices, 78, 2019 | | 2019 |
| Addenda et corrigenda for A new chemistry of sound R Torres | | 2016 |
| Corrigenda Sheet for Multiphonics as a Compositional Element in Writing for Amplified Guitar (2) R Torres | | 2013 |
