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Catherine Strong
Catherine Strong
RMIT Unversity
Bestätigte E-Mail-Adresse bei rmit.edu.au
Titel
Zitiert von
Zitiert von
Jahr
Grunge, riot grrrl and the forgetting of women in popular culture
C Strong
Journal of Popular Culture 44 (2), 398-416, 2011
1332011
Grunge: Music and memory
C Strong
Routledge, 2016
1262016
Towards gender equality in the music industry: Education, practice and strategies for change
C Strong, S Raine
Bloomsbury Academic, 2019
512019
Australian women screen composers: Career barriers and pathways
C Strong, F Cannizzo
RMIT University, 2017
502017
The Routledge companion to popular music history and heritage
S Baker, C Strong, L Istvandity, Z Cantillon
Routledge, 2018
472018
Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past
C Strong, E Rush
Continuum 32 (5), 569-580, 2018
392018
Gender politics in the music industry
C Strong, S Raine
IASPM Journal 8 (1), 2-8, 2018
292018
Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways
C Strong, F Cannizzo, I Rogers
International Journal of Heritage Studies 23 (2), 83-96, 2017
272017
Shaping the past of popular music: Memory, forgetting and documenting
C Strong
The Sage handbook of popular music, 418-433, 2015
272015
Understanding challenges to the Victorian music industry during COVID-19
C Strong, F Cannizzo
Victorian Office for Women, Victorian Music Development Office, 2020
242020
Popular music heritage, grass-roots activism and web 2.0: The case of the ‘save the palace’campaign
A Bennett, C Strong
Cultural Sociology 12 (3), 368-383, 2018
242018
‘Put some balls on that woman’: Gendered repertoires of inequality in screen composers’ careers
F Cannizzo, C Strong
Gender, Work & Organization 27 (6), 1346-1360, 2020
222020
All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett
C Strong
Perfect Beat 15 (2), 149-166, 2014
212014
‘We love the bands and we want to keep them on the walls’: gig posters as heritage-as-praxis in music venues
C Strong, S Whiting
Continuum 32 (2), 151-161, 2018
202018
"... it sucked because it was written for teenage girls": Twilight, anti-fans and symbolic violence
C Strong
The Australian Sociological Association (TASA) Conference, 1-11, 2009
202009
Qualified careers: gendered attitudes towards screen composition education in Australia
C Strong, F Cannizzo
Towards gender equality in the music industry: Education, practice and …, 2019
142019
Laneways of the dead: Memorialising musicians in Melbourne
C Strong
Death and the Rock Star, 103-118, 2016
132016
Death and the rock star
C Strong, B Lebrun
Ashgate Publishing, Ltd., 2015
132015
The Triple J hottest 100 of all time 2009 and the dominance of the rock canon
C Strong
Meanjin 69 (2), 122-127, 2010
132010
Towards gender equality in the music industry: an introduction
C Strong, S Raine
Towards Gender Equality in the Music Industry, 1-12, 2019
122019
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