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Reinhard Kopiez
Reinhard Kopiez
Professor for Music Psychology, Hanover University of Music, Drama and Media
Bestätigte E-Mail-Adresse bei hmtm-hannover.de
Titel
Zitiert von
Zitiert von
Jahr
Listening to music as a re-creative process: Physiological, psychological, and psychoacoustical correlates of chills and strong emotions
O Grewe, F Nagel, R Kopiez, E Altenmüller
Music perception 24 (3), 297-314, 2007
4952007
Emotions over time: synchronicity and development of subjective, physiological, and facial affective reactions to music.
O Grewe, F Nagel, R Kopiez, E Altenmüller
Emotion 7 (4), 774, 2007
3322007
Sight-reading
AC Lehmann, V McArthur
The science and psychology of music performance, 135-150, 2002
2982002
EMuJoy: Software for continuous measurement of perceived emotions in music
F Nagel, R Kopiez, O Grewe, E Altenmüller
Behavior Research Methods 39 (2), 283-290, 2007
2342007
When the eye listens: A meta-analysis of how audio-visual presentation enhances the appreciation of music performance
F Platz, R Kopiez
Music Perception: An Interdisciplinary Journal 30 (1), 71-83, 2012
2252012
Towards a general model of skills involved in sight reading music
R Kopiez, J In Lee
Music education research 10 (1), 41-62, 2008
2222008
The chill parameter: Goose bumps and shivers as promising measures in emotion research
O Grewe, R Kopiez, E Altenmüller
Music Perception 27 (1), 61-74, 2009
2112009
How does music arouse “chills”? Investigating strong emotions, combining psychological, physiological, and psychoacoustical methods
O Grewe, F Nagel, R Kopiez, E Altenmüller
Annals of the New York Academy of Sciences 1060 (1), 446-449, 2005
1902005
The influence of deliberate practice on musical achievement: a meta-analysis
F Platz, R Kopiez, AC Lehmann, A Wolf
Frontiers in psychology 5, 646, 2014
1812014
Towards a dynamic model of skills involved in sight reading music
R Kopiez, J In Lee
Music education research 8 (1), 97-120, 2006
1542006
Chills in different sensory domains: Frisson elicited by acoustical, visual, tactile and gustatory stimuli
O Grewe, B Katzur, R Kopiez, E Altenmüller
Psychology of Music 39 (2), 220-239, 2011
1452011
Does music listening in a social context alter experience? A physiological and psychological perspective on emotion
H Egermann, ME Sutherland, O Grewe, F Nagel, R Kopiez, E Altenmüller
Musicae Scientiae 15 (3), 307-323, 2011
1432011
Music on the timing grid: The influence of microtiming on the perceived groove quality of a simple drum pattern performance
J Frühauf, R Kopiez, F Platz
Musicae scientiae 17 (2), 246-260, 2013
1152013
The influence of practice on the development of motor skills in pianists: A longitudinal study in a selected motor task
HC Jabusch, H Alpers, R Kopiez, H Vauth, E Altenmüller
Human movement science 28 (1), 74-84, 2009
1142009
Fußball-Fangesänge: Eine Fanomenologie
R Kopiez, G Brink
Königshausen & Neumann, 1999
1111999
Classification of high and low achievers in a music sight-reading task
R Kopiez, C Weihs, U Ligges, JI Lee
Psychology of Music 34 (1), 5-26, 2006
1062006
Chills as an indicator of individual emotional peaks
O Grewe, R Kopiez, E Altenmüller
Annals of the New York Academy of Sciences 1169 (1), 351-354, 2009
1032009
The ‘open-earedness’ hypothesis and the development of age-related aesthetic reactions to music in elementary school children
R Kopiez, M Lehmann
British Journal of Music Education 25 (2), 121-138, 2008
822008
Psychoacoustical correlates of musically induced chills
F Nagel, R Kopiez, O Grewe, E Altenmüller
Musicae Scientiae 12 (1), 101-113, 2008
812008
Intonation of harmonic intervals: Adaptability of expert musicians to equal temperament and just intonation
R Kopiez
Music Perception 20 (4), 383-410, 2003
772003
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