| Korean wave| K-pop fans react: Hybridity and the white celebrity-fan on YouTube DC Oh International Journal of Communication 11, 18, 2017 | 93 | 2017 |
| Vlogging White Privilege Abroad: Eat Your Kimchi’s Eating and Spitting out of the Korean Other on YouTube DC Oh, C Oh Communication, Culture & Critique 10 (4), 696-711, 2017 | 44 | 2017 |
| Black K-pop fan videos and polyculturalism DC Oh Popular Communication 15 (4), 269-282, 2017 | 41 | 2017 |
| Mediating the boundaries: Second-generation Korean American adolescents’ use of transnational Korean media as markers of social boundaries DC Oh International Communication Gazette 74 (3), 258-276, 2012 | 40 | 2012 |
| Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing. C Oh, DC Oh Journal of Popular Culture 50 (1), 2017 | 34 | 2017 |
| Black-Yellow Fences: Multicultural Boundaries and Whiteness in the Rush Hour Franchise DC Oh Critical Studies in Media Communication 29 (5), 349-366, 2012 | 33 | 2012 |
| Second-Generation Korean Americans and Transnational Media: Diasporic Identifications DC Oh Lexington Books, 2015 | 32 | 2015 |
| Framing SARS: A case study in Toronto of a mainstream newspaper and a Chinese ethnic newspaper DC Oh, W Zhou Atlantic Journal of Communication 20 (5), 261-273, 2012 | 29 | 2012 |
| Outsourcing Postracialism: Voicing Neoliberal Multiculturalism in Outsourced DC Oh, OO Banjo Communication Theory 22 (4), 449-470, 2012 | 29 | 2012 |
| Reconsidering ethnic media research: An argument for a diasporic identity framework DC Oh Atlantic Journal of Communication 24 (5), 264-275, 2016 | 20 | 2016 |
| “Turning Japanese”: Deconstructive criticism of white women, the western imagination, and popular music DC Oh Communication, Culture & Critique 10 (2), 365-381, 2017 | 18 | 2017 |
| Viewing identity: Second-generation Korean American ethnic identification and the reception of Korean transnational films DC Oh Communication, Culture & Critique 4 (2), 184-204, 2011 | 18 | 2011 |
| Whitewashing the movies: Asian erasure and white subjectivity in US film culture DC Oh Rutgers University Press, 2021 | 17 | 2021 |
| Representing the western super-minority: desirable cosmopolitanism and homosocial multiculturalism on a south Korean talk show DC Oh Television & New Media 21 (3), 260-277, 2020 | 17 | 2020 |
| The Orientalized “Other” and Corrosive Femininity: Threats to White Masculinity in 300 DC Oh, D V. Kutufam Journal of Communication Inquiry 38 (2), 149-165, 2014 | 16 | 2014 |
| “Opting out of that”: White feminism’s policing and disavowal of anti-racist critique in The Unbreakable Kimmy Schmidt DC Oh Critical Studies in Media Communication 37 (1), 58-70, 2020 | 15 | 2020 |
| Imag(in)ing the post-national television fan: Counter-flows and hybrid ambivalence in Dramaworld DC Oh, LL Nishime International Communication Gazette 81 (2), 121-138, 2019 | 15 | 2019 |
| Mediating diasporas and fandom: Second-generation Korean American adolescent diasporas, identification, and transnational popular culture DC Oh The Communication Review 16 (4), 230-250, 2013 | 15 | 2013 |
| “Until You Are Able”: South Korean Multiculturalism and Hierarchy in My Little Hero DC Oh, C Oh Communication, Culture & Critique 9 (2), 250-265, 2016 | 14 | 2016 |
| Racial privilege as a function of White supremacy and contextual advantages for Asian Americans DC Oh, S Eguchi Communication, Culture & Critique 15 (4), 471-478, 2022 | 13 | 2022 |
Chuyun OhSan Diego State UniversityBestätigte E-Mail-Adresse bei sdsu.edu
