| Mashing up the Classroom–Teaching Poetry and Prose in the Age of Participatory Culture T GURKE, A ZIMBULOV Anglistentag 2016 Hamburg. Ute Berns and Jolene Mathieson (eds.), 67-84, 2017 | 3 | 2017 |
| ’Sound Art’? – Trying to make ‘soundsense’ of ‘sensesound’ in Finnegans Wake T Gurke James Joyce and the Arts. European Joyce Studies. Emma-Louise Silva, Sam …, 2020 | 2 | 2020 |
| Words, Music, and the Popular (Introduction) T Gurke, S Winnett Words, Music, and the Popular, 1-10, 2021 | 1* | 2021 |
| “that Rarefied Amalgam of Time” – Tracing the Temporal in Mike McCormack’s Solar Bones T Gurke English Studies 104 (4), 612-627, 2023 | | 2023 |
| Remix Aesthetics and the Musicalization of Sound in Matthew Herbert’s The Music (2018) T Gurke ‘Make It Old’: Retro Forms and Styles in Literature and Music, 221-246, 2022 | | 2022 |
| Coherence and Counterpoint: Music in the Modern Short Story T Gurke The Routledge Companion to Music and Modern Literature, 303-312, 2022 | | 2022 |
| ‘Popularity Is a Game’: Music, Identity, and the Popular in Tom Cho’s Look Who’s Morphing T Gurke Popular Music and the Poetics of Self in Fiction, 97-118, 2021 | | 2021 |
| Words, Music, and the Popular. Global Perspectives on Intermedial Relations. T Gurke, S Winnett | | 2021 |
| The Short Story as Ecotext: Rick Bass’s "Fiber" T Gurke Journal of the Short Story in English / Les Cahiers de la nouvelle (JSSE) 71 …, 2018 | | 2018 |
| Summer School "Political Masculinities in Europe: New Definitions, Methods and Approaches" T Gurke, K Starck Hard Times 102 (2), 42-47, 2018 | | 2018 |
| Pythagorean Parallaxes in ‘The Dead’ and Ulysses T Gurke, Editors:, P Paparunas, F Ilmberger, M Heusser Parallaxing Joyce, 300-316, 2017 | | 2017 |
| Catherine Laws: Headaches Among the Overtones. Music in Beckett /Beckett in Music T Gurke Symbolism, 276-283, 2014 | | 2014 |
| Zum Eskapismus der Anästhetik im populären Drogenroman T Gurke Roger Lüdeke (ed.): Kommunikation im Populären. Interdisziplinäre …, 2011 | | 2011 |
| Dieter Fuchs, Joyce and Menippos.‘A Portrait of the Artist as an Old Dog’ T Gurke Walter de Gruyter GmbH & Co. KG 126 (3), 563-567, 2008 | | 2008 |
