Folgen
Carol Lynne Krumhansl
Carol Lynne Krumhansl
Bestätigte E-Mail-Adresse bei cornell.edu - Startseite
Titel
Zitiert von
Zitiert von
Jahr
Cognitive foundations of musical pitch
CL Krumhansl
Oxford University Press, 2001
28512001
An exploratory study of musical emotions and psychophysiology.
CL Krumhansl
Canadian Journal of Experimental Psychology/Revue canadienne de psychologie …, 1997
15591997
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.
CL Krumhansl, EJ Kessler
Psychological review 89 (4), 334, 1982
14331982
Quantification of the hierarchy of tonal functions within a diatonic context.
CL Krumhansl, RN Shepard
Journal of experimental psychology: Human Perception and Performance 5 (4), 579, 1979
7501979
The psychological representation of musical pitch in a tonal context
CL Krumhansl
Cognitive psychology 11 (3), 346-374, 1979
6771979
Concerning the applicability of geometric models to similarity data: The interrelationship between similarity and spatial density.
CL Krumhansl
American Psychological Association 85 (5), 445, 1978
6581978
Mental representations for musical meter.
C Palmer, CL Krumhansl
Journal of Experimental Psychology: Human Perception and Performance 16 (4), 728, 1990
6161990
Rhythm and pitch in music cognition.
CL Krumhansl
Psychological bulletin 126 (1), 159, 2000
5682000
Music: A link between cognition and emotion
CL Krumhansl
Current directions in psychological science 11 (2), 45-50, 2002
5082002
Cross-modal interactions in the perception of musical performance
BW Vines, CL Krumhansl, MM Wanderley, DJ Levitin
Cognition 101 (1), 80-113, 2006
4772006
The representation of harmonic structure in music: Hierarchies of stability as a function of context
J Bharucha, CL Krumhansl
Cognition 13 (1), 63-102, 1983
4491983
Tonal hierarchies in the music of north India.
MA Castellano, JJ Bharucha, CL Krumhansl
Journal of Experimental Psychology: General 113 (3), 394, 1984
4441984
A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas
CL Krumhansl
Music perception 13 (3), 401-432, 1996
4121996
Why is musical timbre so hard to understand
CL Krumhansl
Structure and perception of electroacoustic sound and music 9, 43-53, 1989
3931989
Modeling tonal tension
F Lerdahl, CL Krumhansl
Music perception 24 (4), 329-366, 2007
3902007
Isolating the dynamic attributes of musical timbrea)
P Iverson, CL Krumhansl
The Journal of the acoustical society of America 94 (5), 2595-2603, 1993
3771993
Acquisition of the hierarchy of tonal functions in music
CL Krumhansl, FC Keil
Memory & cognition 10 (3), 243-251, 1982
3301982
Infants’ perception of phrase structure in music
CL Krumhansl, PW Jusczyk
Psychological science 1 (1), 70-73, 1990
3231990
Independent temporal and pitch structures in determination of musical phrases.
C Palmer, CL Krumhansl
Journal of Experimental Psychology: Human Perception and Performance 13 (1), 116, 1987
3091987
Music psychology and music theory: Problems and prospects
CL Krumhansl
Music Theory Spectrum 17 (1), 53-80, 1995
2841995
Das System kann den Vorgang jetzt nicht ausführen. Versuchen Sie es später erneut.
Artikel 1–20