Folgen
Alex McLean
Alex McLean
Then Try This
Bestätigte E-Mail-Adresse bei thentrythis.org - Startseite
Titel
Zitiert von
Zitiert von
Jahr
Live coding in laptop performance
N Collins, A McLean, J Rohrhuber, A Ward
Organised sound 8 (3), 321-330, 2003
4432003
Speaking code: Coding as aesthetic and political expression
G Cox, A McLean
MIT Press, 2012
1602012
Visualisation of live code
A McLean, D Griffiths, N Collins, G Wiggins
Electronic Visualisation and the Arts (EVA 2010), 26-30, 2010
962010
Live algorithm programming and a temporary organisation for its promotion
A Ward, J Rohrhuber, F Olofsson, A McLean, D Griffiths, N Collins, ...
Proceedings of the README Software Art Conference 289, 290, 2004
922004
Making programming languages to dance to: live coding with tidal
A McLean
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art …, 2014
832014
Algorave: Live performance of algorithmic electronic dance music
N Collins, A McLean
Proceedings of the International Conference on New Interfaces for Musical …, 2014
802014
The Oxford handbook of algorithmic music
RT Dean
Oxford University Press, 2018
682018
Tidal–pattern language for the live coding of music
A McLean, G Wiggins
Proceedings of the 7th sound and music computing conference, 331-334, 2010
652010
Artist-programmers and programming languages for the arts
CA McLean
Goldsmiths, University of London, 2011
632011
The aesthetics of generative code
G Cox, A McLean, A Ward
Proc. of Generative Art, 2001
61*2001
Collaboration and learning through live coding (Dagstuhl Seminar 13382)
A Blackwell, A McLean, J Noble, J Rohrhuber
Dagstuhl Reports 3 (9), 2014
482014
Bricolage Programming in the Creative Arts.
A McLean, GA Wiggins
PPIG, 18, 2010
402010
Hacking Perl in nightclubs
A McLean
perl. com, 2004
36*2004
Texture: Visual notation for live coding of pattern
A McLean, GA Wiggins
ICMC, 2011
332011
Digital crafts-machine-ship: creative collaborations with machines
K Andersen, R Wakkary, L Devendorf, A McLean
Interactions 27 (1), 30-35, 2019
322019
Unifying conceptual spaces: Concept formation in musical creative systems
J Forth, GA Wiggins, A McLean
Minds and Machines 20, 503-532, 2010
322010
Live music-making: A rich open task requires a rich open interface
D Stowell, A McLean
Music and human-computer interaction, 139-152, 2013
312013
Live Coding Towards Computational Creativity.
A McLean, GA Wiggins
ICCC, 175-179, 2010
272010
Coding praxis: Reconsidering the aesthetics of code
G Cox, A McLean, A Ward
readme–Software Arts and Cultures, Edition, 160-175, 2004
26*2004
Extramuros: making music in a browser-based, language-neutral collaborative live coding environment
D Ogborn, E Tsabary, I Jarvis, A Cárdenas, A McLean
Proceedings of the first international conference on live coding, 163-69, 2015
252015
Das System kann den Vorgang jetzt nicht ausführen. Versuchen Sie es später erneut.
Artikel 1–20