| Is there an effect of subliminal messages in music on choice behavior? H Egermann, R Kopiez, C Reuter Journal of Articles in Support of the Null Hypothesis 4 (2), 2006 | 44 | 2006 |
| Der Einschwingvorgang nichtperkussiver Musikinstrumente: Auswertung physikalischer und psychoakustischer Messungen C Reuter Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften, 1995 | 41 | 1995 |
| Klangfarbe und Instrumentation: Systemische Musikwissenschaft C Reuter Frankfurt am Main, Wien [ua]: Lang, 2002 | 30 | 2002 |
| Psychoacoustics of chalkboard squeaking C Reuter, M Oehler The Journal of the Acoustical Society of America 130 (4), 2545-2545, 2011 | 28 | 2011 |
| Die auditive diskrimination von orchesterinstrumenten C Reuter Europ ische Hocha schulschriften, 1996 | 25 | 1996 |
| Die auditive Diskrimination von Orchesterinstrumenten: Verschmelzung und Heraushörbarkeit von Instrumentalklangfarben im Ensemblespiel C Reuter Lang, 1996 | 25 | 1996 |
| Klangfarbe und Instrumentation: Geschichte, Ursachen, Wirkung C Reuter Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften, 2002 | 16 | 2002 |
| Wie und warum in der Geschichte der Klangfarbenforschung meistenteils am Klang vorbeigeforscht wurde C Reuter Niemöller, Klaus Wolfgang/Gätjen, Bram (Hg.): Perspektiven und Methoden …, 1998 | 12 | 1998 |
| Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research C Reuter Joint International Conference on Cognitive and Systematic Musicology, 362-374, 1996 | 11 | 1996 |
| Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives JP Herbst, C Reuter, I Czedik-Eysenberg Metal Music Studies 4 (3), 481-506, 2018 | 10 | 2018 |
| SOFA Native Spatializer Plugin for Unity—Exchangeable HRTFs in Virtual Reality C Jenny, P Majdak, C Reuter Audio Engineering Society Convention 144, 2018 | 9 | 2018 |
| Register classification by timbre C Weihs, C Reuter, U Ligges Classification—the Ubiquitous Challenge, 624-631, 2005 | 8 | 2005 |
| Stream segregation and formant areas C Reuter Proceedings of the European Society for the Cognitive Sciences of Music …, 2003 | 8 | 2003 |
| Physiological and acoustical correlates of unpleasant sounds C Reuter, M Oehler, J Mühlhans Proceedings of the Joint Conference ICMPC13-APSCOM5, 97, 2014 | 7 | 2014 |
| Klangfarbe: Beziehungen zur Tonhöhe und Lautstärke-Merkmale der Mehrdimensionalität C Reuter na, 2005 | 7 | 2005 |
| The “Sound of Silence” in a Neonatal Intensive Care Unit—Listening to Speech and Music Inside an Incubator M Bertsch, C Reuter, I Czedik-Eysenberg, A Berger, M Olischar, ... Frontiers in psychology 11, 1055, 2020 | 5 | 2020 |
| Usability of individualized head-related transfer functions in virtual reality: Empirical study with perceptual attributes in sagittal plane sound localization C Jenny, C Reuter JMIR Serious Games 8 (3), e17576, 2020 | 5 | 2020 |
| Decoding the sound of ‘hardness’ and ‘darkness’ as perceptual dimensions of music I Czedik-Eysenberg, C Reuter, D Knauf Proceedings of the 15th International Conference on Music Perception and …, 2018 | 5 | 2018 |
| Sound quality vs. sound identity. The perceptibility of audio logos under everyday conditions of transmission and reception C Anzenbacher, C Reuter, M Oehler Audio Branding Yearbook 2013/2014, 115-124, 2014 | 5 | 2014 |
| The octave illusion and handedness: A replication of Deutsch’s 1974 study M Oehler, C Reuter Musicae Scientiae 17 (3), 277-289, 2013 | 5 | 2013 |
Reinhard KopiezProfessor for Music Psychology, Hanover University of Music, Drama and MediaVerified email at hmtm-hannover.de
