Christoph Reuter
Christoph Reuter
Professor für Systematische Musikwissenschaft, Musikwissenschaftliches Institut, Universität Wien
Verified email at univie.ac.at - Homepage
Title
Cited by
Cited by
Year
Is there an effect of subliminal messages in music on choice behavior?
H Egermann, R Kopiez, C Reuter
Journal of Articles in Support of the Null Hypothesis 4 (2), 2006
412006
Der Einschwingvorgang nichtperkussiver Musikinstrumente: Auswertung physikalischer und psychoakustischer Messungen
C Reuter
P. Lang, 1995
411995
Klangfarbe und instrumentation
C Reuter
Geschichte–Ursache–Wirkung.(Systemische Musikwissenschaft, 2002
252002
Psychoacoustics of chalkboard squeaking
C Reuter, M Oehler
The Journal of the Acoustical Society of America 130 (4), 2545-2545, 2011
242011
Die auditive diskrimination von orchesterinstrumenten
C Reuter
Europ ische Hocha schulschriften, 1996
241996
Die auditive Diskrimination von Orchesterinstrumenten: Verschmelzung und Heraushörbarkeit von Instrumentalklangfarben im Ensemblespiel
C Reuter
Lang, 1996
231996
Klangfarbe und Instrumentation: Geschichte, Ursachen, Wirkung
C Reuter
P. Lang, 2002
172002
Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research
C Reuter
Joint International Conference on Cognitive and Systematic Musicology, 362-374, 1996
101996
Register classification by timbre
C Weihs, C Reuter, U Ligges
Classification—the Ubiquitous Challenge, 624-631, 2005
82005
Wie und warum in der Geschichte der Klangfarbenforschung meistenteils am Klang vorbeigeforscht wurde
C Reuter
Niemöller, Klaus Wolfgang/Gätjen, Bram (Hg.): Perspektiven und Methoden …, 1998
81998
Klangfarbe: Beziehungen zur Tonhöhe und Lautstärke-Merkmale der Mehrdimensionalität
C Reuter
na, 2005
72005
Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives
JP Herbst, C Reuter, I Czedik-Eysenberg
Metal Music Studies 4 (3), 481-506, 2018
62018
Stream segregation and formant areas
C Reuter
Proceedings of the 5th International Conference of the European Society for …, 2003
62003
Decoding the sound of ‘hardness’ and ‘darkness’ as perceptual dimensions of music
I Czedik-Eysenberg, C Reuter, D Knauf
Proceedings of the 15th International Conference on Music Perception and …, 2018
52018
SOFA Native Spatializer Plugin for Unity—Exchangeable HRTFs in Virtual Reality
C Jenny, P Majdak, C Reuter
Audio Engineering Society Convention 144, 2018
52018
Physiological and acoustical correlates of unpleasant sounds
C Reuter, M Oehler, J Mühlhans
Proceedings of the Joint Conference ICMPC13-APSCOM5, 97, 2014
52014
Vibrato experiments with bassoon sounds by means of the digital pulse forming synthesis and analysis framework
M Oehler, C Reuter
Audio Engineering Society Convention 123, 2007
42007
Dynamic Excitation Impulse Modification as a Foundation of a Synthesis and Analysis System for Wind Instrument Sounds
M Oehler, C Reuter
International Conference on Mathematics and Computation in Music, 189-197, 2007
42007
Verschmelzung und partielle Verdeckung-Ein Konzept fur die Wahrnehmung und Zuordnung gleichzeitig erklingender Musikinstrumente
C Reuter
Fortschritte der Akustik 26, 176-177, 2000
42000
" Hardness" as a semantic audio descriptor for music using automatic feature extraction
I Czedik-Eysenberg, D Knauf, C Reuter
INFORMATIK 2017, 2017
32017
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