| Is there an effect of subliminal messages in music on choice behavior? H Egermann, R Kopiez, C Reuter Journal of Articles in Support of the Null Hypothesis 4 (2), 2006 | 41 | 2006 |
| Der Einschwingvorgang nichtperkussiver Musikinstrumente: Auswertung physikalischer und psychoakustischer Messungen C Reuter P. Lang, 1995 | 41 | 1995 |
| Klangfarbe und instrumentation C Reuter Geschichte–Ursache–Wirkung.(Systemische Musikwissenschaft, 2002 | 25 | 2002 |
| Psychoacoustics of chalkboard squeaking C Reuter, M Oehler The Journal of the Acoustical Society of America 130 (4), 2545-2545, 2011 | 24 | 2011 |
| Die auditive diskrimination von orchesterinstrumenten C Reuter Europ ische Hocha schulschriften, 1996 | 24 | 1996 |
| Die auditive Diskrimination von Orchesterinstrumenten: Verschmelzung und Heraushörbarkeit von Instrumentalklangfarben im Ensemblespiel C Reuter Lang, 1996 | 23 | 1996 |
| Klangfarbe und Instrumentation: Geschichte, Ursachen, Wirkung C Reuter P. Lang, 2002 | 17 | 2002 |
| Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research C Reuter Joint International Conference on Cognitive and Systematic Musicology, 362-374, 1996 | 10 | 1996 |
| Register classification by timbre C Weihs, C Reuter, U Ligges Classification—the Ubiquitous Challenge, 624-631, 2005 | 8 | 2005 |
| Wie und warum in der Geschichte der Klangfarbenforschung meistenteils am Klang vorbeigeforscht wurde C Reuter Niemöller, Klaus Wolfgang/Gätjen, Bram (Hg.): Perspektiven und Methoden …, 1998 | 8 | 1998 |
| Klangfarbe: Beziehungen zur Tonhöhe und Lautstärke-Merkmale der Mehrdimensionalität C Reuter na, 2005 | 7 | 2005 |
| Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives JP Herbst, C Reuter, I Czedik-Eysenberg Metal Music Studies 4 (3), 481-506, 2018 | 6 | 2018 |
| Stream segregation and formant areas C Reuter Proceedings of the 5th International Conference of the European Society for …, 2003 | 6 | 2003 |
| Decoding the sound of ‘hardness’ and ‘darkness’ as perceptual dimensions of music I Czedik-Eysenberg, C Reuter, D Knauf Proceedings of the 15th International Conference on Music Perception and …, 2018 | 5 | 2018 |
| SOFA Native Spatializer Plugin for Unity—Exchangeable HRTFs in Virtual Reality C Jenny, P Majdak, C Reuter Audio Engineering Society Convention 144, 2018 | 5 | 2018 |
| Physiological and acoustical correlates of unpleasant sounds C Reuter, M Oehler, J Mühlhans Proceedings of the Joint Conference ICMPC13-APSCOM5, 97, 2014 | 5 | 2014 |
| Vibrato experiments with bassoon sounds by means of the digital pulse forming synthesis and analysis framework M Oehler, C Reuter Audio Engineering Society Convention 123, 2007 | 4 | 2007 |
| Dynamic Excitation Impulse Modification as a Foundation of a Synthesis and Analysis System for Wind Instrument Sounds M Oehler, C Reuter International Conference on Mathematics and Computation in Music, 189-197, 2007 | 4 | 2007 |
| Verschmelzung und partielle Verdeckung-Ein Konzept fur die Wahrnehmung und Zuordnung gleichzeitig erklingender Musikinstrumente C Reuter Fortschritte der Akustik 26, 176-177, 2000 | 4 | 2000 |
| " Hardness" as a semantic audio descriptor for music using automatic feature extraction I Czedik-Eysenberg, D Knauf, C Reuter INFORMATIK 2017, 2017 | 3 | 2017 |
Reinhard KopiezProfessor for Music Psychology, Hanover University of Music, Drama and MediaVerified email at hmtm-hannover.de
